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video sculpture

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The Dusseldorf School of Photography

Julia Stoschek Foundation » Programm (2)

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Watch more than 220 time-based media artworks by over 60 artists from the JULIA STOSCHEK COLLECTION online at JSC Collection Catalogue

ONLINE COLLECTION CATALOG

The online collection catalog offers the opportunity to research and view over 900 works by 300 artists from the JULIA STOSCHEK COLLECTION.

Over the next months, videos and films will be continually uploaded and made accessible online. They are accompanied by explanatory texts about the works. Or you can drop by our JSC Video Lounge directly.

A list of all accessible works can be found by clicking on „viewable online“ „under Tags“ and then selecting „Works“.

To date over220film-, video- and sound-based works by62artists from the collection can be viewed in their entirety.Among the works in this first selection are pieces by John Bock, Monica Bonvicini, Klaus vom Bruch, Ian Cheng, Keren Cytter, Jen DeNike, Nathalie Djurberg & Hans Berg, Tracey Emin, Cao Fei, Fischli & Weiss, Dara Friedman, Kate Gilmore, Douglas Gordon, Christian Jankowski, Imi Knoebel, Klara Lidén, Lutz Mommartz, Elizabeth Price, Pipilotti Rist, Wolfgang Tillmans, Ryan Trecartin, Andro Wekua, and Tobias Zielony.

JSC’s long-term goal is to make the entire collection available online, thus creating a platform for time-based art that supports the accessibility and engagement of time-based art.

ABOUT THE COLLECTION

“Many of the works in this collection construct multi-temporal worlds; they harbor not one flow of events, but a labyrinth of diverging paths, each with its own pace and temporality. The collection is thus a complex archive of temporalities, storing passed moments and layers of time that can be technically repeated, in principle an infinite number of times.”

Daniel Birnbaum

from: Daniel Birnbaum, Repetitions, in Number One: Destroy, She Said (Ostfildern: Hatje Cantz Verlag, 2007), 12.

Established in 2007 by Julia Stoschek, the JULIA STOSCHEK COLLECTION has grown to be an expansive collection of time-based art spanning film, video, sound, performance, and computer and software-based works. At present, over 860 artworks by more than 282 contemporary artists across genres and generations offer an overview of time-based art from the 1960s to today with a strong focus on works made after 2000.

The term time-based art (or time-based media) describes works of art that unfold in time. Time-based art therefore encompasses all artworks in which duration is a dimension and comprises film, video, single- and multi-channel video installation, slide installations, multimedia environments, sound, performance, computer and software-based artworks such as virtual and augmented reality, and other forms of technology-based art. These works are often allographic, meaning they are only visible when installed or projected.

At the JULIA STOSCHEK COLLECTION, early expanded cinema, video, and performance works by Bruce Nauman, Anthony McCall, Joan Jonas, or Marina Abramović meet Doug Aitken’s video installations, Ian Cheng’s live simulations, and Mika Rottenberg’s all-encompassing environments. The collection contains many artworks by pioneering female and feminist artists and experimental filmmakers from the 1960s and ’70s, among them Dara Birnbaum, VALIE EXPORT, Barbara Hammer, and Hannah Wilke. A younger generation of artists includes Ed Atkins, Loretta Fahrenholz, Cyprien Gaillard, Josh Kline, Jon Rafman, Rachel Rose, Mika Rottenberg, Anicka Yi, and Tobias Zielony, to name a few. The collection strives to build sustainable relationships with artists and galleries, focusing on key works and groups of works made throughout artists’ careers, growing with and reflecting their evolving practice.

The collection is characterized by an ever-growing technological convergence and interdisciplinary approach: “The video art of today is theater, performance, musical performance, sculpture, projection, moving image, moving bodies, dance, stage, screen, real space, real time, all in one,” writes Peter Weibel in the catalog accompanying the exhibition “High Performance,” jointly organized by JULIA STOSCHEK COLLECTION and ZKM | Center for Art and Media in 2015. Bringing these fields together, the collection is unique in its heterogeneity, but certain themes still manifest across the collection, in works that address sociopolitical questions; identity politics; forms of narrative, fiction, and documentary; the body and representation; performativity and performance; the gaze; and the relationship between our built environment and the natural world.

Some of these themes have been explored in exhibitions and programs at the JULIA STOSCHEK COLLECTION in Düsseldorf and Berlin, as well as at several international institutions. 27 large-scale exhibitions have taken place at the collection’s exhibitions spaces in Düsseldorf and Berlin since 2007. Among these were significant solo exhibitions by Derek Jarman, Sturtevant, Elizabeth Price, Ed Atkins, Frances Stark, Trisha Donnelly, Cyprien Gaillard, Arthur Jafa, and Ian Cheng.

The first large-scale group exhibition at the collection, Number One: Destroy, She Said (2007–08), was named after a video installation by artist Monica Bonvicini and loosely explored the relationship between interior and exterior, construction and destruction. Number Two: Fragile (2008–09) focused on the body and corporality, bringing together video, performance, and body art. Number Three: Here and Now (2009–10) was dedicated solely to performance and the ephemeral, with performances and concerts by some of the most prominent contemporary artists working today scheduled all year long. Almost ten years later, Number Thirteen: Hello Boys (2015–16) revisited performance and feminist video, questioning the representation of female identity and the performance document. To celebrate its tenth anniversary, the JULIA STOSCHEK COLLECTION invited artist Ed Atkins to curate a group exhibition in Düsseldorf, which he called Generation Loss (2017). The title refers to the process of quality deterioration as data carriers are copied successively and, at the same time, to the social upheavals from one generation to the next.

The inaugural exhibition in Berlin, Welt am Draht (2016), addressed the influences and shifts in our social reality, identities, and environment effected by processes of digitalization. Another group show, Jaguars and Electric Eels (2017), explored notions of indigeneity, of hybrids and synthetic forms of life, the migration of the species, and our constantly changing perceptions of reality. Large-scale solo presentations supplement the collection exhibition program. In 2018, the JULIA STOSCHEK COLLECTION, Berlin, presented a comprehensive exhibition by Arthur Jafa, his first in Germany. In addition to exhibitions, smaller projects, talks, and ongoing screenings regularly accompany the program. There are two cinemas in Düsseldorf equipped to screen 16mm and 35mm films in their original format.

LOAN REQUESTS

Loan requests for works of the JULIA STOSCHEK COLLECTION should be sent by e-mail to Anna-Alexandra Pfau, Head of JSC Düsseldorf & Sammlung, [emailprotected]

The loan request will be processed if the following conditions are met:

Loan requests must be made at least 6 months before the desired start of the loan period. The request must contain the following information and documents:

Name and address of the institution submitting the loan request; name, function, telephone number, postal address and e-mail address of the contact person; exact name of the requested work; period, name of the exhibiting institution and location of the exhibition; detailed exhibition or project description in which the work is to be presented; a current facility report of the institution.

Please note that works that have a reference to Electronic Arts Intermix in the Courtesy line may not be lend through the JULIA STOSCHEK COLLECTION. Please contact Electronic Arts Intermix, New York directly.

Julia Stoschek Foundation » Programm (3)

RESTORATION & PRESERVATION

Long-Term Archiving

The conservation requirements for time-based media (TBM) have changed drastically over the last ten years. Initially the medium—specifically videotapes and DVDs—was the main focus of conservational attention. Just like any other materials, media are also susceptible to aging processes that in the long run can lead to damage or even the loss of works.

Yet aging is only one aspect of the problem. There are also file formats and complex technical installations that are based on computer technologies or other hardware. All of these components can age: not only the media themselves are affected by the processes of decay, but even the content can become unreadable over of the years due to incompatibilities. Technological evolution constantly results in new file formats and software codecs that are adapted in the production process of video artists. This is why in addition to the material-related risks, careful observation is necessary to ascertain which technologies have a promising future—and which digital platforms and formats are on their way to becoming obsolete. To this end all new acquisitions must be thoroughly evaluated and documented to determine the exact type of digital format. The files are then transferred to a digital repository.

To meet all of the different requirements, a multistage strategy for long-term archiving was developed for the JULIA STOSCHEK COLLECTION, based on the “three-pillar approach.” The goal is to consolidate the heterogenous collection on a digital level in just a few established and hom*ogeneous target formats. This noticeably reduces the conservation effort since only a manageable number of formats need to be regularly checked and monitored to safeguard against formats that are becoming obsolete. This is flanked by individual solutions for artworks that do not support a standardized procedure. On a digital level, multiple backups that are independent and redundant give additional security, thus ensuring that the collection is preserved.

Julia Stoschek Foundation » Programm (4)

Media-Art Repository

The media art-depository is the heart of the collection. Since fluctuating temperatures and humidity factors cause damage to videotapes and film, this was one of the most important factors during the planning. Temperatures of around 15 degrees Celsius (59 degrees Fahrenheit) and 35 percent relative humidity (RF) are considered optimal for storing magnetic tapes and was therefore chosen for the repository. These conditions are also appropriate for film and slides.

The media art depot, designed and individually planned for the JULIA STOSCHEK COLLECTION, has two airlocks: one prevents abrupt changes in climate when people enter, while the second airlock is conceived for tapes and media that are stored in the media depository. They can acclimatize slowly in the airlock before they are moved to special mobile shelving for storage. The mobile shelving system, which is equipped with ball-bearing mountings, ensures that the space is used optimally. The floor has a stove-enamel finish and was checked for leftover magnetic charge to eliminate all risks for the stored videotapes. In addition, the shelves are grounded to prevent any static electricity.

Since dust and air pollution represent a serious danger for media artworks, the air is filtered multiple times before and after the conditioning process. Smoke and water detectors as well as an alarm system simultaneously offer comprehensive hazard protection.

The elaborate technical amenities in combination with the custom mobile shelving make the media-art repository unique in Europe.

Andreas Weisser

Time-based media conservator

online viewable

Daata

2020s

2010s

2000s

1990s

1980s

1970s

1960s

1950s

1920s

1910s

Time-based art

Video

Film

35mm film

16mm film

Super 8mm film

8mm film

Virtual reality

Live simulation

Artificial lifeform

Sound art

Installation

Mixed media

Photography

Diaprojektion

Performance art

Skulptur

video sculpture

Light object

Painting

Drawing

Lithograph

Collage

Land art

Body art

Site-specific

Queer Cinema

Camp

The Dusseldorf School of Photography

Jacolby Satterwhite

1–8. En Plein Air Abstraction (full length feature), 2018

Jacolby Satterwhite

Birds in Paradise, 2019

Jacolby Satterwhite

Moments of Silence, 2019

Rindon Johnson

May the moon meet us apart, may the sun meet us together, 2021

Simon Fujiwara

Once Upon a Who?, 2021

P. Staff

Pure Means, 2021

Ulysses Jenkins

Two Zone Transfer, 1979

Katharina Sieverding

24/III/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973

Manuel Graf

1000 Jahre sind ein Tag, 2005

Katharina Sieverding

11/III/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973

Cemile Sahin

12, 2021

Christian Jankowski

16 mm Mystery, 2004

Christoph Schlingensief

18 Bilder pro Sekunde (Dokumentation der Ausstellung im Haus der Kunst, München), 2007

Roxy Paine

182212102002B, 2002

Jeppe Hein

2-Dimensional Mirror Labyrinth, 2006

Katharina Sieverding

26/III/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973

Charles Richardson

27th March, 2015

Klara Lidén

550, 2004

Sophie Gogl

8/2019, 2021

Cemile Sahin

9, 2021

A

Wu Tsang

A day in the life of bliss, 2014

David Wojnarowicz

A Fire In My Belly (Film In Progress) and A Fire In My Belly (Excerpt), 1986–1987

Ulay & Marina Abramović

A Performance Anthology. Abramović/Ulay. 14 performances Relation Work (1976–1980), 1976–1980.

Relation in Space, 1976

Talking about Similarity, 1976

Breathing in, Breathing out, 1977

Imponderabilia, 1977

Expansion in Space, 1977

Relation in Movement, 1977

Relation in Time, 1977

Light/Dark, 1977

Balance Proof, 1977

AAA-AAA, 1978

Incision, 1978

Kaiserschnitt, 1978

Charged Space, 1978

Three, 1978

Ulay & Marina Abramović

A Performance Anthology. Abramović/Ulay. Action in 14 predetermined sequences, 1976.

There is a Criminal Touch to Art, 1976

Ulay & Marina Abramović

A Performance Anthology. Abramović/Ulay. Four performances by Abramović (1975–1976), 1975–1976.

Art must be beautiful, Artist must be beautiful, 1975

Freeing the Voice, 1976

Freeing the Memory, 1976

Freeing the Body, 1976

Helen Benigson

A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 1, 2015

Helen Benigson

A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 2, 2015

Helen Benigson

A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 3, 2015

Helen Benigson

A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 4, 2015

Helen Benigson

A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 5, 2015

Helen Benigson

A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 6, 2015

Hannah Perry

aahhhhhh, 2015

Basel Abbas & Ruanne Abou-Rahme

Marina Abramović

Vito Acconci

Manuel Acevedo

Elmgreen & Dragset

Adaptation, Fig. 20, 2020

DAS INSTITUT

Adele Röder For DAS INSTITUT Starline, 2010

Christoph Schlingensief

Affenbilder, 2005

Christoph Schlingensief

Affenführer, 2005

Pep Agut

Peggy Ahwesh

Leo Gabin

Ain’t Gon Do It, 2015

Doug Aitken

Sophia Al-Maria

Leo Gabin

Aliens, 2015

Pipilotti Rist

Als der Bruder meiner Mutter geboren wurde, duftete es nach wilden Birnenblüten vor dem braungebrannten Sims, 1992

Peter Weibel

Als Fuji noch ein Berg war, 1990

Lutz Mommartz

Als wär’s von Beckett, 1975

Francis Alÿs

Francis Alÿs & Rafael Ortega

David Claerbout

American Car, 2004

Matthew Buckingham

Amos Fortune Road, 1996

Matt Copson

Anarchist, 2015

Jen DeNike

Anat, 2006

Jacky Connolly

Anhedonia (full length feature), 2017

Ana Mendieta

Anima, Silueta de Cohetes (Firework Piece), 1976

Kerstin Brätsch, Adele Röder

Announcement Poster 1 and 2, 2011

Ant Farm & T.R. Uthco

Eleanor Antin

DAS INSTITUT

Apes and Shapes (I’ll see you again in 25 years), 2011

Arthur Jafa

Apex, 2013

Vito Acconci

Applications, 1970

Cory Arcangel

Colin Montgomery

Arlington National Cemetery (JFK funeral model), 2005

Bruce Nauman

Art Make-Up, 1967–1968

Art Make-Up, No. 1, White, 1967

Art Make-Up, No. 2, Pink, 1967

Art Make-Up, No. 3, Green, 1967–1968

Art Make-Up, No. 4, Black, 1967–1968

Cyprien Gaillard

Artefacts, 2011

Natascha Sadr Haghighian

Artificial Life, 1995

Richard Artschwager

Elizabeth Price

At the House of Mr. X, 2007

Ed Atkins

Charles Atlas

Kader Attia

Barbara Hammer

Audience, 1982

Jacolby Satterwhite

Avenue B, 2018–2019

Leo Gabin

Awesome, 2015

Ilit Azoulay

B

Lutz Bacher

Thomas Demand

Badezimmer (Bathroom), 1997

Jo Baer

Trisha Baga

John Baldessari

John Baldessari

Baldessari sings LeWitt, 1972

Jules de Balincourt

Heike Baranowsky

Claus Föttinger

Barbarella, Matmos and Chief of Matmos, 2006

Christoph Westermeier

Barbarian + Classics, 2012

Sigalit Landau

Barbed Hula, 2000

Manfred Pernice

barriere ‚Tiefengarage‘, 2008

Hernan Bas

Ed Fornieles

Bathing, 2015

Paul Hance

Beacon, Celestial Planes (gold-pink), 2022

Sophia Al-Maria

Beast Type Song, 2019

Francis Alÿs

Beggars, 2004

Neïl Beloufa

Lynda Benglis

Helen Benigson

Meriem Bennani

Bernadette Corporation

Thomas Bernstein

Walead Beshty

Jeremy Shaw

Best Minds Part One, 2007

Jon Rafman

Betamale Trilogy (Glass Cabin), 2015

Still Life (Betamale), 2013

Mainsqueeze, 2014

Erysichthon, 2015

Joseph Beuys

Clemens von Wedemeyer

Big Business + The Making of Big Business, 2002

Big Business, 2002

The Making of Big Business, 2002

Johanna Billing

Mary Lucier

Bird’s Eye, 1978

Dara Birnbaum

Hannah Black

Paul McCarthy

Black and White Tapes, 1970-1975

Ma Bell, 1971

Painting Face Down – White Line, 1972

Spit – Not Looking at the Camera, 1974

Spinning, Short segment of 20-minute Tape, 1970–71

Whipping the Wall with Paint, 1975

Up Down Penis Show, 1974

Zippedy Doo Dance, 1974

Icicle Slobber, 1975

Pipe Shadow, 1975

Upside Down Spitting – Bat, 1975

Drawing – sem*n Drawing, 1975

Spitting on the Camera Lens, 1974

Upside Down Pipe, 1975

Bruce Nauman

Black Balls, 1969

Christoph Westermeier

Blaker, 2011

David Blandy

Jesper Just

Bliss and Heaven, 2004

Doug Aitken

Blow Debris, 2000

Sean Bluechel

Pipilotti Rist

Blutclip, 1993

Ian Cheng

BOB (Bag of Beliefs), 2018–2019

John Bock

Hannah Black

Bodybuilding, 2015

Monica Bonvicini

Adam Putnam

Bookshelf, 1997

Matt Copson

Booty Call, 2015

Nam June Paik

Born Again, 1991

Alexander Bornschein

Bruce Nauman

Bouncing Balls, 1969

Bruce Nauman

Bouncing in the Corner No. 1, 1968

Bruce Nauman

Bouncing in the Corner, No. 2: Upside Down, 1969

Bruce Nauman

Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, 1967–1968

Carol Bove

Robert Boyd

Leo Gabin

Break Up, 2015

Matt Copson

Broadcast, 2015

Doug Aitken

Broken Glass in the Slipstream, 2003

Klaus vom Bruch

Lonnie van Brummelen & Siebren de Haan

Matthew Buckingham

Chris Burden

Anthony Burdin

Reynold Reynolds & Patrick Jolley

Burn, 2002

A.K. Burns & A.L. Steiner

Jeff Burton

Peter Fischli & David Weiss

Büsi, 2001

Andrea Büttner

Joseph Beuys

Buttocklifting (Edition Staeck), 1974

C

Matt Calderwood

Sophie Calle

Taryn Simon

CALVIN WASHINGTON, C&E Motel, Room No. 24, Waco, Texas. Where an informant claimed to have heard Washington confess. Served 13 years of a life sentence for capital murder, 2002

Peter Campus

Robin Rhode

Candle, 2007

Karl Wilhelm Diefenbach

Capri, 1911

Till Gerhard

Captain America, 2004

Cemile Sahin

car, road, mountain, 2020

Charles Richardson

Carramesh, 2015

Julius Shulman

Case Study House #22. Los Angeles, CA, Pierre Koenig Architect, 1960

Andreas Gursky

Centre Pompidou, 1995

Richard Artschwager

Chair/Chair, 1980

Richard Artschwager

Chair/Chair, 1980

Paul Chan

Patty Chang

Mika Rottenberg

Chasing Waterfalls. The Rise and Fall of the Amazing Seven Sutherland Sisters, 2006

Mika Rottenberg

Cheese, 2008

House, 2008

Cheese, 2008

Hairwash, 2008

Milk, 2008

Concert, 2008

Chicken Soup, 2008

Ian Cheng

Mark Leckey

Cinema-in-the-Round, 2006–2008

Cyprien Gaillard

Cities of Gold and Mirrors, 2009

David Claerbout

Klara Lidén

Claim, 2010

Clegg & Guttman

Ed Fornieles

Climbing, 2015

Andreas Gursky

Cocoon II, 2008

Tony co*kes

Stephanie Comilang & Simon Speiser

Catherine Opie

Commissioned Portrait: Julia and Jacob, 2019

A.K. Burns & A.L. Steiner

Community Action Center, 2010

Jacky Connolly

Ulay & Marina Abramović

Continental Videoseries. Abramović/Ulay (1983–1986), 1983–1986.

City of Angels, 1983

Terra Degla Dea Madre, 1984

Terminal Garden, 1986

China Ring, unedited video notebook, 1988

Matt Copson

Michael Snow

*Corpus Callosum, 2002

Vito Acconci

Corrections, 1970

Jane Crawford & Robert Fiore

Jamie Crewe

Leila Hekmat

CROCOPAZZO!, 2020

James Richards & Leslie Thornton

Crossing, 2016

Kandis Williams

cruz: or, as Spillers puts it, „the captive body becomes the source of an irresistible, destructive sensuality“, 2020

Brock Enright

Crystal Anarchy Sign (pink), 2007

Lucy Raven

Curtains, 2014

Keren Cytter

D

Bruce Nauman

Dance or Exercise on the Perimeter of a Square (Square Dance), 1967–1968

Klaus vom Bruch

Das Alliiertenband, 1982

Clemens von Wedemeyer

Das Bildermuseum brennt, 2004/05

Carol Bove

Das Energi, 2005/06

DAS INSTITUT

Leo Gabin

Date Yourself, 2015

Ed Atkins

Death Mask II: The Scent, 2010

Ed Atkins

Death Mask III, 2011

Jessica Mein

DeleveleD, 2007

Asier Mendizabal

Delimitar #1, 2009

Asier Mendizabal

Delimitar #2, 2009

Asier Mendizabal

Delimitar #3, 2009

Asier Mendizabal

Delimitar #4, 2009

Asier Mendizabal

Delimitar #5, 2009

Ed Atkins

Delivery to the Following Recipient Failed Permanently, 2011

Thomas Demand

Jen DeNike

Simon Denny

Jan Paul Evers

Der Abstand zwischen den Gipfeln menschlicher Möglichkeiten, 2011

Tobias Zielony

Der Brief (The Letter), 2013

Anthony Burdin

Desert Mix, „Go See um Black Feather“, 2003

Josh Kline

Designer’s Head in Tim Coppens (Tim), 2013

Cyprien Gaillard

Desniansky Raion, 2007

Monica Bonvicini

Destroy She Said, 1998

Thomas Demand

Details (Sportscar), 2005

Frances Stark

Detumescence and/or its Opposite (from a Torment of Follies), 2012

Maria Anna Dewes

Christoph Schlingensief

Diana Altar, 2006

Jana Euler

Die Höhle aus Löwen, 2013

Christian Jankowski

Die Jagd, 1992/1997

Till Gerhard

Die Ordnung der Dinge, 2004

Lutz Mommartz

Die Treppe, 1967

Karl Wilhelm Diefenbach

Sturtevant

Dillinger Running Series, 2000

Christoph Steinmeyer

Disco Inferno Edition, 2008

Tony co*kes

Disco Isn’t Dead: Evil 16. (Torture.Musik), 2019

Adam Putnam

Dish Cabinet, 1997

Joan Jonas

Disturbances, 1974

Nathalie Djurberg & Hans Berg

Chloe Wise

do you really think he fingered her, 2015

Chris Burden

Documentation of selected works, 1971–1975

Deadman, 1972

Bed Piece, 1972

Through the Night Softly, 1973

Icarus, 1973

Shoot, 1971

Cheryl Donegan

Trisha Donnelly

Thorben Eggers

Doppelseite, 2015

Sophie Calle

Double Blind, 1992

Thiago Rocha Pitta

Double fountain or cooked landscape, 2005

Barbara Hammer

Double Strength, 1978

Mika Rottenberg

Dough, 2006

Juan Downey

Ulysses Jenkins

Dream City, 1983

Jon Rafman

Dream Journal 2016 – 2019, 2019

Alex Müller

Drei Finger Dick, 2005

Jen DeNike

Dunking, 2003

Albrecht Dürer

Helen Marten

Dust and Piranhas, 2011

Marcel Dzama

E

Mika Rottenberg

e20, 2005

Mika Rottenberg

e24, 2005

Ryan Trecartin

Early Baggage, 2001–2003

Rosemarie Trockel

Egg-trying to get warm (Versuch nach Mach), 1994

Thorben Eggers

Rosemarie Trockel

Ei-Dorado, 1992/1998

John Bock

Ein Haufen voller Flacker, 2012

Die abgeschmierte Knicklenkung im Gepäck verheddert sich im weißen Hemd, 2009

Im Schatten der Made, 2010

Pi-Bean, 2010

Seewolf, 2010

Bauchhöhle bauchen, 2011

Lichterloh Roh, 2011

Monsieur et Monsieur, 2011

Nichts unter der Kinnlade, 2011

Lütte mit Rucola, 2006

Martin Honert

Eisbär, 1995/2001

Sturtevant

Elastic Tango, 2010

Olafur Eliasson

Elmgreen & Dragset

Colin Montgomery

Emergency Doors (Smithsonian American History Museum), 2006

Tracey Emin

Ian Cheng

Emissary Forks At Perfection, 2015

Ian Cheng

Emissary in the Squat of Gods, 2015

Ian Cheng

Emissary Sunsets The Self, 2017

Paul Pfeiffer

Empire, 2004

Natascha Sadr Haghighian

Empire of the Senseless Part II, 2006

Nam June Paik

EMPIRE STATE BUILDING, 1995

Encyclopedia Pictura & Björk

Brock Enright

Pipilotti Rist

(Entlastungen) Pipilottis Fehler, 1988

Anicka Yi

Escape From the Shade 5, 2016

Rob Pruitt

Esprit de Corps: Guitar Jam, 2006

Jana Euler

Kandis Williams

Eurydice, 2018

Ed Atkins

Even Pricks, 2013

Jan Paul Evers

Mathilde Rosier

Every Day the Same, 2002

Helen Marten

Evian Disease, 2012

Tony Oursler

EVOL, 1984

Martti Kalliala & Daniel Keller

Exitscape 1, 2015

Martti Kalliala & Daniel Keller

Exitscape 2, 2015

Martti Kalliala & Daniel Keller

Exitscape 3, 2015

Martti Kalliala & Daniel Keller

Exitscape 4, 2015

Martti Kalliala & Daniel Keller

Exitscape 5, 2015

Martti Kalliala & Daniel Keller

Exitscape 6, 2015

VALIE EXPORT

Charles Richardson

Extra, 2015

Mike Kelley

Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011

Mike Kelley

Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011

F

VALIE EXPORT

Facing a Family, 1971

Loretta Fahrenholz

Ed Fornieles

Falling, 2015

Patty Chang

Fan Dance, 2003

Leo Gabin

Fast Lost by Ho Ho Click, 2015

Walead Beshty

FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex Priority Overnight, Los Angeles-Dusseldorf, trk#865282057872, September 19-20, 2008FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex Priority Overnight, Los Angeles-Dusseldorf, trk#865282057894, September 19-20, 2008FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex PriorityOvernight, Los Angeles-Dusseldorf, trk#865282057909, September 19-20, 2008FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex Priority Overnight, Los Angeles-Dusseldorf, trk#865282057861, September 19-20, 2008FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex Priority Overnight, Los Angeles-Dusseldorf,trk#865282057883, September 19-20, 2008, 2008

Tracey Emin

Feel Your Touch, 2016

Cao Fei

Mark Leckey

Felix Gets Broadcasted, 2007

Jen DeNike

Fell, 2006

Lynda Benglis

Female Sensibility, 1973

Moritz Wegwerth

Fenster, 2013

Laurel Nakadate

Fever Dream with Rabbit, 2009

GCC

Figure A: Amalgamated City, 2013

Asier Mendizabal

Figures and Prefigurations (Divers, A. Rodchenko, 1930, Political Football), 2009

Asier Mendizabal

Figures and Prefigurations (Divers, V. Palladini, 1926), 2009

Sturtevant

Finite/Infinite, 2010

Mark Leckey

Fiorucci Made Me Hardcore, 1999

Peter Fischli & David Weiss

Jack Smith

Flaming Creatures, 1962/63

Christiane Fochtmann

Josh Kline

Forever 27 (Kurt), 2013

Josh Kline

Forever 48 (Whitney), 2013

Ed Fornieles

Claus Föttinger

Paul Pfeiffer

Four Horsem*n of the Apocalypse (15), 2004

Paul Pfeiffer

Four Horsem*n of the Apocalypse (16), 2004

Keren Cytter

Four Seasons, 2009

Claus Föttinger

Fragile-Bar, 2008

Aaron Young

Freedom Fries, 2005

Aaron Young

Freeformdome, 2003

Wolfgang Tillmans

Freischwimmer 21, 2004

Dara Friedman

Charles Richardson

Friend, 2015

WangShui

From Its Mouth Came a River of High-End Residential Appliances, 2018

Alex McQuilkin

f*cked, 1999

Simon Fujiwara

Carolee Schneemann

Fuses, 1964–1967

G

Cyprien Gaillard

Ryan Gander

Andreas Gursky

Gasherd, 1980

Bruce Nauman

Gauze, 1969

GCC

Oliver Payne & Nick Relph

Gentlemen, 2003

Isa Genzken

Till Gerhard

Hannah Wilke

Gestures, 1974

Bernadette Corporation

Get rid of yourself, 2003

Alex McQuilkin

Get Your Gun Up, 2002

Beatrice Gibson

Melanie Gilligan

Kate Gilmore

Leo Gabin

Girlhood, 2015

Jen DeNike

Girls like me, 2006

Nam June Paik

Global Groove, 1973

Rob Pruitt

Global Warming, 2006

Matt Calderwood

Gloss, 2004

Sophie Gogl

Torbjørn Rødland

Goldene Tränen, 2002

Aaron Young

Good Boy, 2001

Douglas Gordon

Manuel Graf

Dan Graham

Heike Baranowsky

Gras, 2001

Mark Leckey

GreenScreenRefrigerator, 2010

Jan Paul Evers

Große rekursive Funktion, 2010

Lonnie van Brummelen & Siebren de Haan

Grossraum (Borders of Europe), 2004/05

Klara Lidén

Grounding, 2018

Manuel Graf

Gründer, 2014

Guerrilla Girls

Cao Guimarães

Andreas Gursky

H

Charles Atlas

Hail the New Puritan, 1985/86

Barbara Hammer

Monica Bonvicini

Hammering Out (an old argument), 1998–2003

Paul Hance

Klara Lidén

Handicap (Konst Fack), 2007

Hannah Wilke

Hannah Wilke Through the Large Glass, 1976

Claus Föttinger

Hanoi/Saigon, 2007

Paul Chan

Happiness (Finally) After 35,000 Years of Civilization (after Henry Darger and Charles Fourier), 2000–2003

Asier Mendizabal

Hard Edge 4, 2010

Aura Rosenberg

Harmony Korine/Carmen, 1998

Bill Viola

Hatsu-Yume (First Dream), 1981

Amir Yatziv

Hausbaumaschine, 2013

Britta Thie

„HD“, 2016

Anthony Burdin

He Ain’t No f*ckin’ Drumma, Summer P-lot Tour 2003, Oxnard CA (1. Light My Fire, 2. Kashmiur), 2003

Cheryl Donegan

Head, 1993

Wolfgang Tillmans

Heartbeat/Armpit, 2003

Jon Kessler

Heaven’s Gate, 2004

Paul McCarthy & Mike Kelley

Heidi, 1992

Mathilde ter Heijne

Jeppe Hein

Leila Hekmat

Hannah Wilke

Hello Boys, 1975

Trisha Baga

Hercules, 2012

Lynn Hershman Leeson

Aaron Young

High Performance, 2000

Florian Meisenberg

hihihihihihihihihihihih, 2015

Gary Hill

Cao Fei

Hip Hop Guangzhou, 2003

Candida Höfer

Christian Jankowski

Hollywoodschnee, 2004

Nancy Holt

Nancy Holt & Robert Smithson

Thiago Rocha Pitta

Homage to JMW Turner, 2002

Martin Honert

Kristin Lucas

Host, 1997

Jack Smith

Hot Air Specialists, 1980s

Peter Fischli & David Weiss

Hunde, 2003

Lina Lapelytė

Hunky Bluff ACT 1, 2015

Lina Lapelytė

Hunky Bluff ACT 2, 2015

Lina Lapelytė

Hunky Bluff ACT 3, 2015

Lina Lapelytė

Hunky Bluff ACT 4, 2015

Lina Lapelytė

Hunky Bluff ACT 5, 2015

Lina Lapelytė

Hunky Bluff ACT 6, 2015

I

Sean Bluechel

I am in love with a succubus, 2006

Jeremy Shaw

I CAN SEE FOREVER, 2018

Tracey Emin

I Can’t Love Anymore, 2016

Rindon Johnson

I First you (11/11), 2018

Britta Thie

„I googled my mom and was relieved that she is still safe“, 2016

Beatrice Gibson

I HOPE I’M LOUD WHEN I’M DEAD, 2018

Tracey Emin

I Lay Here, 2016

Christoph Schlingensief

I want to destroy, 2005

Claus Föttinger

I Want To See How You See, 2010

Barbara Hammer

I Was/I Am, 1973

Cao Fei

i.Mirror by China Tracy (AKA: Cao Fei), 2007

Aaron Young

I.P.O (25 Offerings), 2006

Philip Topolovac

I’ve Never Been to Berghain, 2016

Pipilotti Rist

I’m a Victim of This Song, 1995

Pipilotti Rist

I’m not the Girl who misses much, 1986

David Blandy

Ice, 2015

Britta Thie

„If something turns into hype that once saved you, it feels like you are back on the Titanic again. But Jack Dawson has already left you“, 2016

Anne Imhof

Loretta Fahrenholz

Implosion, 2011

Timur Si-Qin

In Memoriam 9, 2015

Stephen Vitiello

In The Woods, 2015

Gary Hill

Incidence of Catastrophe, 1987–1988

Alex McQuilkin

Indefinite Line Towards Becoming the Perfect SoHo Girl, 2000

Lawrence Weiner

Inherent in the Rhumb Line, 2005

Matt Copson

Inherited Deficit, 2015

Hannah Wilke

Intercourse with …, 1977

Britta Thie

„Interfaces become our weather“, 2016

Doug Aitken

Interiors, 2002

Rosemarie Trockel

Interview, 1994

Nandipha Mntambo

Intsandvokati, 2008

Thiago Rocha Pitta

Inverted zenith, 2005

Sondra Perry

IT’S IN THE GAME ‘17, 2017

Nathalie Djurberg & Hans Berg

It’s the Mother, 2008

Britta Thie

„It’s all good in Italics“, 2016

J

Arthur Jafa

Neïl Beloufa

Jaguacuzzi, 2015

APRIL THE SECOND, 2007

KEMPINSKI, 2007

TOUR, 2009

BRUNE RENAULT, 2010

SANS TITRE, 2010

SAYRE AND MARCUS, 2010

THE ANALYST, THE RESEARCHER, THE SCREENWRITER, THE CGI TECH AND THE LAWYER, 2011

CATENACCIO SYSTEM, 2011

PEOPLE’S PASSION, LIFESTYLE, BEAUTIFUL WINE, GIGANTIC GLASS TOWERS, ALL SURROUNDED BY WATER, 2011

PARTY ISLAND, 2012

REAL ESTATE, 2012

WORLD DOMINATION, 2012

TONIGHT AND THE PEOPLE, 2013

DESIRE FOR DATA, 2014

HOME IS WHENEVER I’M WITH YOU, 2014

VENGEANCE, 2014

Lutz Bacher

James Dean, 1986/2014

Christian Jankowski

Ulysses Jenkins

Hernan Bas

Jetsam from the wreck of the Half Moon, 2016

Rindon Johnson

Joan Jonas

Benjamin Jones

Richard Phillips

Julia, 2014

Candida Höfer

Julia Stoschek Collection Düsseldorf VIII, 2008

Candida Höfer

Julia Stoschek Collection IV, 2008

Isaac Julien

Jack Smith

Jungle Island, 1967

Jesper Just

Tracey Emin

Just Let Me Love You, 2016

K

K-HOLE

K-HOLE

K-HOLE for education, 2016

Martti Kalliala & Daniel Keller

Klara Lidén

Kasta Macka, 2009

Wolfgang Tillmans

Kate McQueen, 1996

Hannah Perry

keep the peace, 2015

Mike Kelley

Zilvinas Kempinas

Jon Kessler

Till Gerhard

Kleiner Hunger, 2006

Josh Kline

Pierre Klossowski

Imi Knoebel

Cyprien Gaillard

KOE, 2015

Terence Koh

VALIE EXPORT

Körperkonfiguration, 1982

Andreas Korte

Franz West

Künstlerstuhl K095, 2011

Franz West

Künstlerstuhl K104, 2011

Franz West

Künstlerstuhl K107, 2011

Franz West

Künstlerstuhl K108, 2011

Franz West

Künstlerstuhl K116, 2011

Franz West

Künstlerstuhl K117, 2011

Franz West

Künstlerstuhl K118, 2011

Franz West

Künstlerstuhl K121, 2011

Franz West

Künstlerstuhl K122, 2011

Franz West

Künstlerstuhl K126, 2011

Franz West

Künstlerstuhl K130, 2011

Franz West

Künstlerstuhl K131, 2011

Sarah Kürten

L

Cyprien Gaillard

L’Ange du foyer (Vierte Fassung), 2019

Wolfgang Tillmans

LA still life, 2001

Marie-Jo Lafontaine

Sigalit Landau

Lina Lapelytė

Mark Manders

Large Figure with Thin Newspaper, 2010

Taryn Simon

LARRY MAYES Scene of arrest, The Royal Inn, Gary, Indiana. Police found Mayes hiding beneath a mattress in this room. Served 18.5 years of an 80-year sentence for rape, robbery and unlawful deviate conduct, 2002

Tobias Zielony

Le Vele di Scampia, 2009

Mark Leckey

Marcel Dzama

Leila Khaled does not need me, 2008

Leo Gabin

Marie-Jo Lafontaine

Les Larmes d’Acier, 1988

Keren Cytter

Les Ruissellements du Diable, 2008

Hannah Perry

let go beat, 2015

Rachel Maclean

Let It Go – Part 1, 2015

Rachel Maclean

Let It Go – Part 2, 2015

Rachel Maclean

Let It Go – Part 3, 2015

Rachel Maclean

Let It Go – Part 4, 2015

Rachel Maclean

Let It Go – Part 5, 2015

Rachel Maclean

Let It Go – Part 6, 2015

Matt Copson

Letter from War, 2015

Klara Lidén

Thomas Demand

Lift, 2004

Matt Calderwood

Light, 2004

Claus Föttinger

Light Object Jaguars and Electric Eels, 2017

Claus Föttinger

Light Object Kill, 2014

Claus Föttinger

Light Object No. 1: Destroy, She Said, 2007

Claus Föttinger

Light Object No. 10: Trisha Donnelly, 2015

Claus Föttinger

Light Object No. 11: Cyprien Gaillard, 2015

Claus Föttinger

Light Object No. 12: Hello Boys, 2016

Claus Föttinger

Light Object No. 13: Hito Steyerl – Missed Connections, 2016

Claus Föttinger

Light Object No. 2: Fragile, 2008

Claus Föttinger

Light Object No. 3: Here and Now, 2009

Claus Föttinger

Light Object No. 4: Derek Jarman – Super8, 2010

Claus Föttinger

Light Object No. 6: Flaming Creatures, 2012

Claus Föttinger

Light Object No. 7: Ed Atkins – Frances Stark, 2013

Claus Föttinger

Light Object No. 8: Sturtevant, 2014

Claus Föttinger

Light Object Welt am Draht, 2016

Claus Föttinger

Light Object: Arthur Jafa – A Series of utterly improbable, extraordinary renditions, 2018

Kurt Lightner

Matt Calderwood

Lightning, 2005

Jeremy Shaw

Liminals, 2017

Anthony McCall

Line Describing a Cone, 1973

Bruce Nauman

Lip Sync, 1969

Leo Gabin

Lips, 2015

Roman Lipski

Arthur Jafa

Love is the Message, The Message is Death, 2016

Kristin Lucas

Sarah Lucas

Mary Lucier

Christoph Westermeier

Lüster, 2011

Wolfgang Tillmans

Lutz, Alex, Susanne & Christoph on beach (orange), 1993

M

Rachel Maclean

Mark Leckey

Made in ‘Eaven, 2004

Kate Gilmore

Main Squeeze, 2006

Britta Thie

„MALL-E“, 2016

Mark Manders

Bunny Rogers

Mandy’s Piano Solo in Columbine Cafeteria, 2016

Christian Marclay

Helen Marten

Mika Rottenberg

Mary’s Cherries, 2004

Tobias Zielony

Maskirovka, 2017

Ulysses Jenkins

Mass of Images, 1978

Mathilde ter Heijne

Mathilde, Mathilde, 2000

Gordon Matta-Clark

Anthony McCall

Paul McCarthy

Paul McCarthy & Mike Kelley

Adam McEwen

Alex McQuilkin

Jessica Mein

Florian Meisenberg

Bjørn Melhus

Ana Mendieta

Asier Mendizabal

Christoph Schlingensief

Message in a Bottle, 2008

Carol Bove

Mia, 2005

Aura Rosenberg

Mike Kelley/Carmen, 1996

Kader Attia

Mimesis as Resistance, 2013

Meriem Bennani

MISSION TEENS: French School in Morocco, 2019

David Blandy

Mist, 2015

Nandipha Mntambo

Ulay & Marina Abramović

Modus Vivendi. Abramović/Ulay (1979–1986), 1979–1986.

Communist Body/Fascist Body, 1979

That Self, 1980

Anima Mundi, 1983

Positive Zero, 1983

Modus Vivendi, 1985

Night See Crossing Conjunction, 1983

The Observer with Remy Zaugg, 1984

Lutz Mommartz

Pep Agut

Mon ombre est un mur, 1996

Heike Baranowsky

Mondfahrt, 2001

Nancy Holt

Mono Lake, 1968-2004

Colin Montgomery

David Blandy

Moon, 2015

Alex Morrison

Tony Oursler

Movie Block (time shift edit), 1994-2007

Otto Mueller

Alex Müller

Simon Denny

Multimedia Double Canvas progression, 2009

Multimedia Double Canvas Toshiba, 2009

Multimedia Double Canvas Thomson, 2009

Multimedia Double Canvas Tevion, 2009

Multimedia Double Canvas Hantarex, 2009

Multimedia Double Canvas Philips, 2009

Multimedia Double Canvas Samsung, 2009

Takeshi Murata

Frances Stark

My Best Thing, 2011

Kate Gilmore

My Love is an Anchor, 2004

Loretta Fahrenholz

My Throat, My Air, 2013

N

Asier Mendizabal

N,S,O,T,C, 2008

Wolfgang Tillmans

nackt, 2003

Laurel Nakadate

Christoph Westermeier

Nancy, Pamela, Thomas, Diana, Unity, Jessica, Deborah, 2011

Cao Guimarães

Nanofania, 2003

Bruce Nauman

Charles Richardson

Needles, 2015

Andro Wekua

Never Sleep with a Strawberry in Your Mouth, 2010

Douglas Gordon

New Colour Empire, 2006–2010

Douglas Gordon

New Colour Empires, 2006–2010

Carsten Nicolai

Cyprien Gaillard

Nightlife, 2015

Barbara Hammer

No No Nooky T.V., 1987

Jack Smith

No President, 1967–1970

Bjørn Melhus

No Sunshine, 1997

Jack Smith

Normal Love, 1963–1965

Frances Stark

Nothing is enough, 2012

O

Katharina Sieverding

o.T., 1990

Ilit Azoulay

Object #1, 2015

Ilit Azoulay

Object #2, 2015

Ilit Azoulay

Object #3, 2015

Ilit Azoulay

Object #4, 2015

Ilit Azoulay

Object #5, 2015

Ilit Azoulay

Object #6, 2015

Cyprien Gaillard

Ocean II Ocean, 2019

Young-jun Tak

Of All Seasons, 2023

Jon Rafman

Oh the humanity, 2015

Matt Copson

Oh-reg-ah-no, 2015

Alexander Bornschein

Ohne Titel, 2011

Claus Föttinger

Ohne Titel, 2004

Franz West

ohne Titel (L28), 2006

Franz West

ohne Titel (L31), 2006

Takeshi Murata

OM Making it Rain, 2015

Takeshi Murata

OM Passenger, 2015

Wolfgang Tillmans

Omen, 1991

Till Gerhard

Online Polonäse, 2006

Vito Acconci

Openings, 1970

Catherine Opie

Dennis Oppenheim

Frances Stark

Osservate, leggete con me, 2012

Tony Oursler

Jack Smith

Overstimulated, 1959–1963

P

Paper Rad

P-Unit Mixtape, 2005

Adrian Paci

Sturtevant

Pacman, 2012

Nam June Paik

Roxy Paine

Seth Price

„Painting“ Sites, 2000/01

Rachel Rose

Palisades, 2015

Palisades in Palisades, 2014

Palisades (audio piece), 2015

A Minute Ago, 2014

Carol Bove

Panegyric (Vogue Photocollage), 2003

Paper Rad

Mark Leckey

Parade, 2003

Carsten Nicolai

Parallel Lines Cross at Infinity, 2015

Klara Lidén

Paralyzed, 2003

Ed Atkins

Paris Green, 2009

Meriem Bennani

Party on the CAPS, 2018

Jamie Crewe

Pastoral Drama, 2018

Oliver Payne & Nick Relph

Wolfgang Tillmans

Peas, 2003

Dan Graham

Performer/ Audience/ Mirror, 1975

Manfred Pernice

Hannah Perry

Sondra Perry

Paul Pfeiffer

Richard Phillips

Hannah Wilke

Philly, 1977

Tony Oursler

Phone Block (time shift edit), 1994-2007

Pipilotti Rist

Pickelp*rno, 1992

Cauleen Smith

Pilgrim, 2017

Stephanie Comilang & Simon Speiser

Piña, Why is the Sky Blue?, 2021

Manuel Graf

Ping Pong, 2005

Jan Paul Evers

Place de Pyramide, 2009

Barbara Hammer

Place Mattes, 1987

Takeshi Murata

Plant Whisperer, 2015

Bruce Nauman

Playing A Note on the Violin While I Walk Around the Studio, 1967–1968

Julia Scher

Please Feel Free (The Ecology of Visibility), 2020

Bunny Rogers

Poetry reading in Columbine Library with Joan of Arc / Poetry reading with Gazlene Membrane in Columbine Cafeteria, 2014

Jon Rafman

Poor Magic, 2017

Dara Birnbaum

Pop Pop Video, 1980

Guerrilla Girls

Portfolio Compleat, 1985–2016

Jan Paul Evers

Portrait Julia Stoschek, 2011

Ryan Gander

Portrait Of A Colour Blind Artist Obscured By Flowers, 2016

Clegg & Guttman

Portrait of a Lady, 2018

Thomas Ruff

Porträt 2009 (J. Stoschek), 2009

Elmgreen & Dragset

Powerless Structures, Fig. 101 (Maquette), 2015

Elizabeth Price

Seth Price

Gary Hill

Primarily Speaking, 1981–1983

Hannah Perry

Princess & princesses, 2015

Gordon Matta-Clark

Program Five, 1972–1976

Automation House, 1971

Clockshower, 1973

City Slivers, 1976

Dennis Oppenheim

Program One: Aspen Projects, 1970

Material Interchange, 1970

Identity Transfer, 1970

Rocked Hand, 1970

COMPRESSION – FERN #1, 1970

Pressure Piece #1, 1970

Glassed Hand, 1970

Compression – Poison Oak, 1970

COMPRESSION – FERN #2, 1970

Leafed Hand, 1970

Gordon Matta-Clark

Program One: Chinatown Voyeur, 1971

Gordon Matta-Clark

Program Seven, 1974–2005

Sous-Sols de Paris (Paris Underground), 1977–2005

Conical Intersect, 1975

Gordon Matta-Clark

Program Six, 1974–1976

Substrait (Underground Dailies), 1976

Bingo/Ninths, 1974

Splitting, 1974

Dennis Oppenheim

Program Six, 1971/72

Forming Sounds, 1971

2 Stage Transfer Drawing (Advancing to Future State), 1971

2 Stage Transfer Drawing (Retreating to a Past State), 1971

A Feedback Situation, 1972

3 Stage Transfer Drawing, 1971

Two Stage Transfer Drawing (Returning to a Past State), 1971

Objectified Counterforces, 1971

Shadow Project, 1971

Gordon Matta-Clark

Program Three, 1971–1975

Fire Child, 1971

Fresh Kill, 1972

Day’s End, 1975

Johanna Billing

Project for a Revolution, 2000

Imi Knoebel

Projektion X, 1972

Imi Knoebel

Projektion X Remake, 2005

Laure Prouvost

Rob Pruitt

Barbara Hammer

Psychosynthesis, 1975

Bruce Nauman

Pulling Mouth, 1969

Takeshi Murata

Pumpjack Popeye, 2015

Adam Putnam

Q

Jeremy Shaw

Quickeners, 2014

R

James Richards

Radio At Night, 2015

Jon Rafman

Stephen Vitiello

Ratner’s Star, 2015

Lucy Raven

Francis Alÿs in collaboration with Rafael Ortega

Rehearsal I (Ensayo I), 1999-2001

Claus Föttinger

Remix Luhmanneck for Cities of Gold and Mirrors, 2011

Kon Trubkovich

Repeat Offenders, 2006

Wolfgang Tillmans

Resolute Rave, 2015

Jack Smith

Respectable Creatures, 1950–1966

Dara Friedman

Revolution, 2003

Reynold Reynolds & Patrick Jolley

Florian Meisenberg

rghwori, 2015

Andreas Gursky

Rhein II, 1999

Robin Rhode

James Richards

James Richards & Leslie Thornton

James Richards & Steve Reinke

Charles Richardson

Clemens von Wedemeyer & Maya Schweizer

Rien du tout, 2006

Thiago Rocha Pitta

Rio de Janeiro X Sao Paulo, air trip with highway time or addressless love letter, 2005

Pipilotti Rist

Cao Fei

RMB City – A Second Life City Planning by China Tracy, 2007

Pierre Klossowski

Roberte aux barres parallèles, 1984

Thiago Rocha Pitta

Dan Graham

Rock my Religion, 1982-84

Bunny Rogers

Rob Pruitt

Roller Rink Coffee Table III (Falken), 2017

Taryn Simon

RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002

Rachel Rose

Aura Rosenberg

Mathilde Rosier

Martha Rosler

Mika Rottenberg

Torbjørn Rødland

Thomas Ruff

David Blandy

Ruin, 2015

Jane Crawford & Robert Fiore

Rundown, 1994

Ed Ruscha

S

Natascha Sadr Haghighian

Cemile Sahin

Barbara Hammer

Sanctus, 1990

Jen DeNike

Sasha, 2003

Trisha Donnelly

Satin Operator, 2007

Jacolby Satterwhite

Julia Scher

Christoph Schlingensief

Carolee Schneemann

Heike Baranowsky

Schwimmerin, 2000

Trisha Donnelly

Sconce, 2013

Jack Smith

Scotch Tape, 1959–1962

Matt Calderwood

Screen, 2005

David Blandy

Sea, 2015

Julia Scher

Security By Julia (Dispenser), 2020

Klara Lidén

Seine, 2010

Lutz Mommartz

Selbstschüsse, 1967

Timur Si-Qin

Selection Display: Ancestral Prayer, 2011, 2011

William Wegman

Selections from 1970–78, 1981

Andreas Korte

Self Coded, 2008

Klara Lidén

Self Portrait with the Keys to the City, 2005

Elmgreen & Dragset

Self-Portrait, No.41, 2016

Sarah Lucas

Selfish In Bed II, 2000

Martha Rosler

Semiotics of the kitchen, 1975

Lutz Bacher

Sex with Strangers, 1986

Pipilotti Rist

Sexy Sad I, 1987

Mark Leckey

Shades of Destructors, 2005

Patty Chang

Shaved (At A Loss), 1998

Jeremy Shaw

Tracey Emin

She Lay There, 2016

Peggy Ahwesh

She Puppet, 2001

Chloe Wise

she’s so talented, 2015

Jen DeNike

Shipwreck, 2005

Andro Wekua

Should be titled, 2010/2011

Chloe Wise

should I add an emoji, 2015

Jacolby Satterwhite

Shrines, 2020

Julius Shulman

Manuel Graf

Shulmantonioni, 2004

Timur Si-Qin

Hannah Perry

sick off smoke, 2015

Katharina Sieverding

Clemens von Wedemeyer

Silberhöhe + Die Siedlung, 2003/04

Silberhöhe, 2003

Die Siedlung, 2004

Taryn Simon

Ed Ruscha

Sin-Without, 2002

Ed Fornieles

Sitting, 2015

Tony Oursler

Sixth (Dusseldorf Variation), 2005-2007

Ed Fornieles

Sleeping, 2015

Klara Lidén

Small jug lamp, 2019

Jack Smith

Cauleen Smith

Robert Smithson

Hannah Perry

smoke, 2015

Michael Snow

Terence Koh

Snow White, 2008

Jesper Just

Something to Love, 2005

Tracey Emin

Sometimes the dress is worth more money than the money, 2001

Florian Meisenberg

somewhere_sideways, 2015

Tony Oursler

Son of Oil, 1982

Till Gerhard

Sondervorstellung, 2006

Nandipha Mntambo

Sondzela, 2008

Jack Smith

Song for Rent, 1969

Joan Jonas

Songdelay, 1973

Lutz Mommartz

Soziale Plastik, 1969

Robert Smithson

Spiral Jetty, 1970

Carsten Nicolai

Spray, 2004

Terence Koh

Sprungkopf, 2006

P. Staff

Bruce Nauman

Stamping in the Studio, 1968

Jordan Wolfson

Star Field (month 25), 2004

Frances Stark

Stephen Vitiello

Stars In My Pockets Like Grains Of Sand, 2015

Tony Oursler

Station Block (time shift edit), 1994-2007

Douglas Gordon

Staying home (18.14) and going out (21.14), 2005

Douglas Gordon

Staying home (18.16) and going out (21.16), 2005

Christoph Steinmeyer

Olivia Walsh

(Still) Doubt II, 2016

Matt Calderwood

Strips (vertical), 2005

Sturtevant

Thiago Rocha Pitta

Sublimation, condensation, zenith and precipitation, 2005

Mathilde ter Heijne

Suicide Bomb, 2000

Carol Bove

Summer Solstice, Düsseldorf, 2031, 2006

Nancy Holt

Sun Tunnels, 1978

Elizabeth Price

Sunlight, 2013

David Blandy

Sunset, 2015

Andreas Gursky

Supernova, 1999

Leo Gabin

Surfer Ho Remix, 2015

Laure Prouvost

Swallow, 2013

Nancy Holt & Robert Smithson

Swamp, 1971

Ed Fornieles

Swimming, 2015

Barbara Hammer

Synch Touch, 1981

T

Young-jun Tak

Christiane Fochtmann

Talkshow, 2006

Andreas Korte

Tanzfilm, 2011

Matt Calderwood

Tape, 2005

VALIE EXPORT

Tapp- und Tastkino (Touch Cinema), 1968

Dara Birnbaum

Technology/Transformation: Wonder Woman, 1978/79

Alex McQuilkin

Teenage Daydream: In Vain, 2002-2003

Alex McQuilkin

Teenage Daydream: It’s only Rock & Roll, 2002

Carsten Nicolai

telefunken anti, 2004

Christian Marclay

Telephones, 1995

Aaron Young

Tender Buttons with Mirrors, 2004

Takeshi Murata

Tennis, 2015

Ed Atkins

The Anthrophagus!, 2010

Laure Prouvost

The Artist, 2010

Stephen Vitiello

The Bone Clocks, 2015

Terence Koh

The Camel was God, the Camel Was Shot, 2007

Melanie Gilligan

The Common Sense, 2014/15

Leo Gabin

The Concept, 2015

Jen DeNike

The Deadman’s Float, 2005

Reynold Reynolds & Patrick Jolley

The Drowning Room, 2000

Lynn Hershman Leeson

THE ELECTRONIC DIARIES OF LYNN HERSHMAN LEESON 1984–2019, 1984–2019

Ant Farm & T.R. Uthco

The Eternal Frame, 1975

Nathalie Djurberg & Hans Berg

The Experiment, 2009

Cave, 2009

Forest, 2009

Greed, 2009

Anicka Yi

The Flavor Genome, 2016

Leo Gabin

The Heart Wants, 2015

Marina Abramović

The Hero, 2000

Marina Abramović

The Hero, 2001

Chloe Wise

the hotel gave us wine, 2015

Frances Stark

The Inchoate Incarnate: After a Drawing, Toward an Opera, but Before a Libretto Even Exists, 2009

Basel Abbas & Ruanne Abou-Rahme

The Incidental Insurgents: The Part About the Bandits (Chapter 2), 2012/13

Eleanor Antin

The King, 1972

Cyprien Gaillard

The Lake Arches, 2007

Juan Downey

The Laughing Alligator, 1979

Jesper Just

The Lonely Villa, 2004

Cory Arcangel

The Making of Super Mario Clouds, 2004

Amir Yatziv

The National Park, 2015

Douglas Gordon

The nature of relationships between few words, 2006

Marina Abramović

The Onion, 1996

Jen DeNike

The Pimp, 2015

Vito Acconci

The Red Tapes, 1977

Tape 1: Common Knowledge, 1977

Tape 2: Local Color, 1977

Tape 3: Time Lag, 1977

Bill Viola

The Reflecting Pool – Collected Work 1977–80, 1977–80

The Reflecting Pool, 1977–79

Moonblood, 1977–79

Silent Life, 1979

Ancient of Days, 1979–81

Vegetable Memory, 1978–80

Asier Mendizabal

The Staff That Matters (30,000), 2009

Asier Mendizabal

The Staff That Matters (SI), 2009

Tobias Zielony

The Street (C.P.A.), 2013

Chris Burden

The T.V. Commercials, 1973-1977

Stephen Vitiello

The Waves, 2015

Tony Oursler

The Weak Bullet, 1980

Elizabeth Price

The Woolworths Choir of 1979, 2012

Hannah Perry

The worse you feel the better I look, 2015

Stephen Vitiello

The Wrath of Angels, 2015

Florian Meisenberg

the_anciety_of_influence, 2015

Florian Meisenberg

the_tacit_one, 2015

Vito Acconci

Theme Song, 1973

Laure Prouvost

They Parlaient Idéale, 2019

Britta Thie

Roman Lipski

This Permanent Other Landscape, 2023

Gwenn Thomas

Britta Thie

„Three Infomercials“, 2016

Vito Acconci

Three Relationship Studies, 1970

Shadow-Play, 1970

Imitations, 1970

Manipulations, 1970

Peter Campus

Three Transitions, 1973

Wolfgang Tillmans

Hannah Perry

To say you feel something, 2015

Hannah Perry

too loud and too wavy, 2015

Philip Topolovac

Sarah Kürten

TOSS ME MY LIGHTER, COULD YOU BABE?, 2020

Florian Meisenberg

towards_a_new_architecture, 2015

Jon Rafman

Transdimensional Serpent, 2016

Ryan Trecartin

Ryan Trecartin

Trill-ogy Comp, 2009

P.opular S.ky (section ish), 2009

K-CoreaINC.K (section a), 2009

Sibling Topics (section a), 2009

Rosemarie Trockel

Mika Rottenberg

Tropical Breeze, 2004

Manuel Acevedo

Tropisms – WTC (World Trade Center) Site, 2007

Kon Trubkovich

Isaac Julien

True North, 2004

Wu Tsang

Tony Oursler

Tunic (Song for Karen), 1990

Adrian Paci

Turn on, 2004

Gwenn Thomas

Twilight, 1975

Dan Graham

Two-way Mirror Power, 2006

Manuel Graf

Über die aus der Zukunft fließende Zeit, 2006

Asier Mendizabal

Überbau (Superstructure), 2005

U

Ulay

Ulay & Marina Abramović

Amalia Ulman

John Bock

Unheil, 2018

Jo Baer

Untitled, 1966-1974

Keren Cytter

Untitled, 2009

Trisha Donnelly

Untitled, 2005

Trisha Donnelly

Untitled, 2008

Trisha Donnelly

Untitled, 2010

Trisha Donnelly

Untitled, 2012

Trisha Donnelly

Untitled, 2011

Trisha Donnelly

Untitled, 2013

Marcel Dzama

Untitled, 2008

Marcel Dzama

Untitled, 2008

Marcel Dzama

Untitled, 2008

Isa Genzken

Untitled, 2017

Anne Imhof

Untitled, 2017

Anne Imhof

Untitled, 2017

Anne Imhof

Untitled, 2017

Anne Imhof

Untitled, 2017

Kurt Lightner

Untitled, 2004

Frances Stark

Untitled, 2012

Nadim Vardag

Untitled, 2011

Marcel Dzama

Untitled, 2008

Ed Atkins

Untitled (1), 2013

Ed Atkins

Untitled (2), 2013

Ed Atkins

Untitled (3), 2013

Ed Atkins

Untitled (4), 2013

Ed Atkins

Untitled (5), 2013

Ed Atkins

Untitled (7), 2013

Ed Atkins

Untitled (8), 2013

Ed Atkins

Untitled (9), 2013

Adam McEwen

Untitled (A-Line), 2002

Paul Chan

Untitled (After St. Caravaggio), 2003–2006

Klara Lidén

Untitled (Column Monkey), 2010

Klara Lidén

Untitled (Down), 2011

Patty Chang

Untitled (For Abramović, Love Cocteau), 2000

Trisha Donnelly

Untitled (mountain), 2008

Jules de Balincourt

Untitled (Pastoral Scene), 2006

Klara Lidén

Untitled (Trashcan), 2011

Klara Lidén

Untitled (Under Mattan), 2006–2010

Jeff Burton

Untitled #151 (Picket Fence), 2001

Jeff Burton

Untitled #176 (Rods and Clamps), 2003

Jeff Burton

Untitled #182 (Spa Rules), 2003

Trisha Donnelly

Untitled I (Double Alpha), 2007

Andreas Gursky

Untitled XII, No.4, 2000

Carolee Schneemann

Up to and including her Limits, 1976

Ed Atkins

Us Dead Talk Love, 2012

Hannah Perry

Useless, 2015

Kurt Lightner

Useless Fruit, 2006

V

Charles Richardson

Vanish, 2015

Nadim Vardag

Steina Vasulka

Bruce & Norman Yonemoto

Vault, 1984

Joan Jonas

Vertical Roll, 1972

Nam June Paik

Video-Film Concert, 1966-1972/1992

Colin Montgomery

View, 101 Constitution Avenue (U.S. Capitol), 2006

Bill Viola

Bruce Nauman

Violin Film #1 (Playing The Violin As Fast As I Can), 1967–1968

Steina Vasulka

Violin Power, 1970-76

Timur Si-Qin

Visit Mirrorscape 2016: Arrive, 2016

Timur Si-Qin

Visit Mirrorscape 2016: Here, 2016

Timur Si-Qin

Visit Mirrorscape 2016: Now, 2016

Stephen Vitiello

Anthony Burdin

Voodoo Vocals, Agent of Fortune Cassette Tour 1999 – Don’t Fear the Reaper, New York, 11 / 22 / 02, 2002

Anthony Burdin

Voodoo Vocals, Drive Hwy 101 N (1. You only live twice, 2. It was a very good year), 2005

Jan Paul Evers

Vorhang, 2010

W

Hannah Perry

Waiting here, 2015

Bruce Nauman

Walking in an Exaggerated Manner Around the Perimeter of a Square, 1967–1968

Monica Bonvicini

Wallf*ckin’, 1995

Olivia Walsh

Encyclopedia Pictura & Björk

Wanderlust, 2008

Thomas Bernstein

Wandler, 2007

WangShui

Adam Putnam

Wardrobe, 1997

Ed Atkins

Warm, Warm, Warm Spring Mouths, 2013

Nathalie Djurberg & Hans Berg

We are not two, We are one, 2008

Chloe Wise

we had a traumatic threeway, 2015

Chloe Wise

we’ve been drinking since noon, 2015

WangShui

Weak Pearl, 2019

Guan Xiao

Weather Forecast, 2016

Clemens von Wedemeyer

Clemens von Wedemeyer & Maya Schweizer

P. Staff

Weed Killer, 2017

Lutz Mommartz

Weg zum Nachbarn, 1968

William Wegman

Moritz Wegwerth

Peter Weibel

Lawrence Weiner

Andro Wekua

Franz West

Christoph Westermeier

Hannah Perry

What are you thinking about, 2015

Alex Morrison

What Does it Mean to Inhabit a Ruin?, 2013

Andrea Büttner

What is so terrible about craft? / Die Produkte der menschlichen Hand, 2019

Christian Jankowski

What Remains, 2004

Olafur Eliasson

When Love is not enough Wall (Fragment), 2007

James Richards & Steve Reinke

When We Were Monsters, 2020

Aaron Young

White Cons, 2003

Amalia Ulman

White Flag Emoji 1, 2015

Amalia Ulman

White Flag Emoji 2, 2015

Amalia Ulman

White Flag Emoji 3, 2015

Amalia Ulman

White Flag Emoji 4, 2015

Amalia Ulman

White Flag Emoji 5, 2015

Amalia Ulman

White Flag Emoji 6, 2015

Zilvinas Kempinas

White Noise, 2007

Cao Fei

Whose Utopia, 2006

My future is not a Dream, 2006

What are you doing here?, 2006

Wu Tsang

Wildness, 2012

Hannah Wilke

Kandis Williams

Peter Weibel

Wind & fast forward, Realitätsspaltung, 1990

Chloe Wise

Young-jun Tak

Wish You a Lovely Sunday, 2021

Takeshi Murata

Witch Rises, 2015

David Wojnarowicz

Maria Anna Dewes

Wolf, 2008

Jordan Wolfson

Jen DeNike

Wrestling, 2002

Leo Gabin

Write your name, 2015

X

Barbara Hammer

X, 1975

Robert Boyd

Xanadu, 2006

Patriot Act, 2004

Heaven’s little Helper, 2005

Judgement Day, 2006

Exit Strategy, 2005

Guan Xiao

Y

Amir Yatziv

Anicka Yi

Bruce & Norman Yonemoto

Pipilotti Rist

You Called Me Jacky, 1990

Tracey Emin

You Must Have Hope, 2016

Aaron Young

Z

Thomas Demand

Zaun (Fence), 2004

John Bock

Zezziminnegesang, 2006

Tobias Zielony

Otto Mueller

Zwei Mädchen – Halbakte (Russisches Mädchenpaar), 1920

Julia Stoschek Foundation » Programm (5)

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Julia Stoschek Foundation » Programm (7)

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Watch more than 220 time-based media artworks by over 60 artists from the JULIA STOSCHEK COLLECTION online at JSC Collection Catalogue

ONLINE COLLECTION CATALOG

The online collection catalog offers the opportunity to research and view over 900 works by 300 artists from the JULIA STOSCHEK COLLECTION.

Over the next months, videos and films will be continually uploaded and made accessible online. They are accompanied by explanatory texts about the works. Or you can drop by our JSC Video Lounge directly.

A list of all accessible works can be found by clicking on „viewable online“ „under Tags“ and then selecting „Works“.

To date over220film-, video- and sound-based works by62artists from the collection can be viewed in their entirety.Among the works in this first selection are pieces by John Bock, Monica Bonvicini, Klaus vom Bruch, Ian Cheng, Keren Cytter, Jen DeNike, Nathalie Djurberg & Hans Berg, Tracey Emin, Cao Fei, Fischli & Weiss, Dara Friedman, Kate Gilmore, Douglas Gordon, Christian Jankowski, Imi Knoebel, Klara Lidén, Lutz Mommartz, Elizabeth Price, Pipilotti Rist, Wolfgang Tillmans, Ryan Trecartin, Andro Wekua, and Tobias Zielony.

JSC’s long-term goal is to make the entire collection available online, thus creating a platform for time-based art that supports the accessibility and engagement of time-based art.

ABOUT THE COLLECTION

“Many of the works in this collection construct multi-temporal worlds; they harbor not one flow of events, but a labyrinth of diverging paths, each with its own pace and temporality. The collection is thus a complex archive of temporalities, storing passed moments and layers of time that can be technically repeated, in principle an infinite number of times.”

Daniel Birnbaum

from: Daniel Birnbaum, Repetitions, in Number One: Destroy, She Said (Ostfildern: Hatje Cantz Verlag, 2007), 12.

Established in 2007 by Julia Stoschek, the JULIA STOSCHEK COLLECTION has grown to be an expansive collection of time-based art spanning film, video, sound, performance, and computer and software-based works. At present, over 860 artworks by more than 282 contemporary artists across genres and generations offer an overview of time-based art from the 1960s to today with a strong focus on works made after 2000.

The term time-based art (or time-based media) describes works of art that unfold in time. Time-based art therefore encompasses all artworks in which duration is a dimension and comprises film, video, single- and multi-channel video installation, slide installations, multimedia environments, sound, performance, computer and software-based artworks such as virtual and augmented reality, and other forms of technology-based art. These works are often allographic, meaning they are only visible when installed or projected.

At the JULIA STOSCHEK COLLECTION, early expanded cinema, video, and performance works by Bruce Nauman, Anthony McCall, Joan Jonas, or Marina Abramović meet Doug Aitken’s video installations, Ian Cheng’s live simulations, and Mika Rottenberg’s all-encompassing environments. The collection contains many artworks by pioneering female and feminist artists and experimental filmmakers from the 1960s and ’70s, among them Dara Birnbaum, VALIE EXPORT, Barbara Hammer, and Hannah Wilke. A younger generation of artists includes Ed Atkins, Loretta Fahrenholz, Cyprien Gaillard, Josh Kline, Jon Rafman, Rachel Rose, Mika Rottenberg, Anicka Yi, and Tobias Zielony, to name a few. The collection strives to build sustainable relationships with artists and galleries, focusing on key works and groups of works made throughout artists’ careers, growing with and reflecting their evolving practice.

The collection is characterized by an ever-growing technological convergence and interdisciplinary approach: “The video art of today is theater, performance, musical performance, sculpture, projection, moving image, moving bodies, dance, stage, screen, real space, real time, all in one,” writes Peter Weibel in the catalog accompanying the exhibition “High Performance,” jointly organized by JULIA STOSCHEK COLLECTION and ZKM | Center for Art and Media in 2015. Bringing these fields together, the collection is unique in its heterogeneity, but certain themes still manifest across the collection, in works that address sociopolitical questions; identity politics; forms of narrative, fiction, and documentary; the body and representation; performativity and performance; the gaze; and the relationship between our built environment and the natural world.

Some of these themes have been explored in exhibitions and programs at the JULIA STOSCHEK COLLECTION in Düsseldorf and Berlin, as well as at several international institutions. 27 large-scale exhibitions have taken place at the collection’s exhibitions spaces in Düsseldorf and Berlin since 2007. Among these were significant solo exhibitions by Derek Jarman, Sturtevant, Elizabeth Price, Ed Atkins, Frances Stark, Trisha Donnelly, Cyprien Gaillard, Arthur Jafa, and Ian Cheng.

The first large-scale group exhibition at the collection, Number One: Destroy, She Said (2007–08), was named after a video installation by artist Monica Bonvicini and loosely explored the relationship between interior and exterior, construction and destruction. Number Two: Fragile (2008–09) focused on the body and corporality, bringing together video, performance, and body art. Number Three: Here and Now (2009–10) was dedicated solely to performance and the ephemeral, with performances and concerts by some of the most prominent contemporary artists working today scheduled all year long. Almost ten years later, Number Thirteen: Hello Boys (2015–16) revisited performance and feminist video, questioning the representation of female identity and the performance document. To celebrate its tenth anniversary, the JULIA STOSCHEK COLLECTION invited artist Ed Atkins to curate a group exhibition in Düsseldorf, which he called Generation Loss (2017). The title refers to the process of quality deterioration as data carriers are copied successively and, at the same time, to the social upheavals from one generation to the next.

The inaugural exhibition in Berlin, Welt am Draht (2016), addressed the influences and shifts in our social reality, identities, and environment effected by processes of digitalization. Another group show, Jaguars and Electric Eels (2017), explored notions of indigeneity, of hybrids and synthetic forms of life, the migration of the species, and our constantly changing perceptions of reality. Large-scale solo presentations supplement the collection exhibition program. In 2018, the JULIA STOSCHEK COLLECTION, Berlin, presented a comprehensive exhibition by Arthur Jafa, his first in Germany. In addition to exhibitions, smaller projects, talks, and ongoing screenings regularly accompany the program. There are two cinemas in Düsseldorf equipped to screen 16mm and 35mm films in their original format.

LOAN REQUESTS

Loan requests for works of the JULIA STOSCHEK COLLECTION should be sent by e-mail to Anna-Alexandra Pfau, Head of JSC Düsseldorf & Sammlung, [emailprotected]

The loan request will be processed if the following conditions are met:

Loan requests must be made at least 6 months before the desired start of the loan period. The request must contain the following information and documents:

Name and address of the institution submitting the loan request; name, function, telephone number, postal address and e-mail address of the contact person; exact name of the requested work; period, name of the exhibiting institution and location of the exhibition; detailed exhibition or project description in which the work is to be presented; a current facility report of the institution.

Please note that works that have a reference to Electronic Arts Intermix in the Courtesy line may not be lend through the JULIA STOSCHEK COLLECTION. Please contact Electronic Arts Intermix, New York directly.

Julia Stoschek Foundation » Programm (8)

RESTORATION & PRESERVATION

Long-Term Archiving

The conservation requirements for time-based media (TBM) have changed drastically over the last ten years. Initially the medium—specifically videotapes and DVDs—was the main focus of conservational attention. Just like any other materials, media are also susceptible to aging processes that in the long run can lead to damage or even the loss of works.

Yet aging is only one aspect of the problem. There are also file formats and complex technical installations that are based on computer technologies or other hardware. All of these components can age: not only the media themselves are affected by the processes of decay, but even the content can become unreadable over of the years due to incompatibilities. Technological evolution constantly results in new file formats and software codecs that are adapted in the production process of video artists. This is why in addition to the material-related risks, careful observation is necessary to ascertain which technologies have a promising future—and which digital platforms and formats are on their way to becoming obsolete. To this end all new acquisitions must be thoroughly evaluated and documented to determine the exact type of digital format. The files are then transferred to a digital repository.

To meet all of the different requirements, a multistage strategy for long-term archiving was developed for the JULIA STOSCHEK COLLECTION, based on the “three-pillar approach.” The goal is to consolidate the heterogenous collection on a digital level in just a few established and hom*ogeneous target formats. This noticeably reduces the conservation effort since only a manageable number of formats need to be regularly checked and monitored to safeguard against formats that are becoming obsolete. This is flanked by individual solutions for artworks that do not support a standardized procedure. On a digital level, multiple backups that are independent and redundant give additional security, thus ensuring that the collection is preserved.

Julia Stoschek Foundation » Programm (9)

Media-Art Repository

The media art-depository is the heart of the collection. Since fluctuating temperatures and humidity factors cause damage to videotapes and film, this was one of the most important factors during the planning. Temperatures of around 15 degrees Celsius (59 degrees Fahrenheit) and 35 percent relative humidity (RF) are considered optimal for storing magnetic tapes and was therefore chosen for the repository. These conditions are also appropriate for film and slides.

The media art depot, designed and individually planned for the JULIA STOSCHEK COLLECTION, has two airlocks: one prevents abrupt changes in climate when people enter, while the second airlock is conceived for tapes and media that are stored in the media depository. They can acclimatize slowly in the airlock before they are moved to special mobile shelving for storage. The mobile shelving system, which is equipped with ball-bearing mountings, ensures that the space is used optimally. The floor has a stove-enamel finish and was checked for leftover magnetic charge to eliminate all risks for the stored videotapes. In addition, the shelves are grounded to prevent any static electricity.

Since dust and air pollution represent a serious danger for media artworks, the air is filtered multiple times before and after the conditioning process. Smoke and water detectors as well as an alarm system simultaneously offer comprehensive hazard protection.

The elaborate technical amenities in combination with the custom mobile shelving make the media-art repository unique in Europe.

Andreas Weisser

Time-based media conservator

Julia Stoschek Foundation  » Programm (2024)
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