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The Dusseldorf School of Photography
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Watch more than 220 time-based media artworks by over 60 artists from the JULIA STOSCHEK COLLECTION online at JSC Collection Catalogue
ONLINE COLLECTION CATALOG
The online collection catalog offers the opportunity to research and view over 900 works by 300 artists from the JULIA STOSCHEK COLLECTION.
Over the next months, videos and films will be continually uploaded and made accessible online. They are accompanied by explanatory texts about the works. Or you can drop by our JSC Video Lounge directly.
A list of all accessible works can be found by clicking on „viewable online“ „under Tags“ and then selecting „Works“.
To date over220film-, video- and sound-based works by62artists from the collection can be viewed in their entirety.Among the works in this first selection are pieces by John Bock, Monica Bonvicini, Klaus vom Bruch, Ian Cheng, Keren Cytter, Jen DeNike, Nathalie Djurberg & Hans Berg, Tracey Emin, Cao Fei, Fischli & Weiss, Dara Friedman, Kate Gilmore, Douglas Gordon, Christian Jankowski, Imi Knoebel, Klara Lidén, Lutz Mommartz, Elizabeth Price, Pipilotti Rist, Wolfgang Tillmans, Ryan Trecartin, Andro Wekua, and Tobias Zielony.
JSC’s long-term goal is to make the entire collection available online, thus creating a platform for time-based art that supports the accessibility and engagement of time-based art.
ABOUT THE COLLECTION
“Many of the works in this collection construct multi-temporal worlds; they harbor not one flow of events, but a labyrinth of diverging paths, each with its own pace and temporality. The collection is thus a complex archive of temporalities, storing passed moments and layers of time that can be technically repeated, in principle an infinite number of times.”
Daniel Birnbaum
from: Daniel Birnbaum, Repetitions, in Number One: Destroy, She Said (Ostfildern: Hatje Cantz Verlag, 2007), 12.
Established in 2007 by Julia Stoschek, the JULIA STOSCHEK COLLECTION has grown to be an expansive collection of time-based art spanning film, video, sound, performance, and computer and software-based works. At present, over 860 artworks by more than 282 contemporary artists across genres and generations offer an overview of time-based art from the 1960s to today with a strong focus on works made after 2000.
The term time-based art (or time-based media) describes works of art that unfold in time. Time-based art therefore encompasses all artworks in which duration is a dimension and comprises film, video, single- and multi-channel video installation, slide installations, multimedia environments, sound, performance, computer and software-based artworks such as virtual and augmented reality, and other forms of technology-based art. These works are often allographic, meaning they are only visible when installed or projected.
At the JULIA STOSCHEK COLLECTION, early expanded cinema, video, and performance works by Bruce Nauman, Anthony McCall, Joan Jonas, or Marina Abramović meet Doug Aitken’s video installations, Ian Cheng’s live simulations, and Mika Rottenberg’s all-encompassing environments. The collection contains many artworks by pioneering female and feminist artists and experimental filmmakers from the 1960s and ’70s, among them Dara Birnbaum, VALIE EXPORT, Barbara Hammer, and Hannah Wilke. A younger generation of artists includes Ed Atkins, Loretta Fahrenholz, Cyprien Gaillard, Josh Kline, Jon Rafman, Rachel Rose, Mika Rottenberg, Anicka Yi, and Tobias Zielony, to name a few. The collection strives to build sustainable relationships with artists and galleries, focusing on key works and groups of works made throughout artists’ careers, growing with and reflecting their evolving practice.
The collection is characterized by an ever-growing technological convergence and interdisciplinary approach: “The video art of today is theater, performance, musical performance, sculpture, projection, moving image, moving bodies, dance, stage, screen, real space, real time, all in one,” writes Peter Weibel in the catalog accompanying the exhibition “High Performance,” jointly organized by JULIA STOSCHEK COLLECTION and ZKM | Center for Art and Media in 2015. Bringing these fields together, the collection is unique in its heterogeneity, but certain themes still manifest across the collection, in works that address sociopolitical questions; identity politics; forms of narrative, fiction, and documentary; the body and representation; performativity and performance; the gaze; and the relationship between our built environment and the natural world.
Some of these themes have been explored in exhibitions and programs at the JULIA STOSCHEK COLLECTION in Düsseldorf and Berlin, as well as at several international institutions. 27 large-scale exhibitions have taken place at the collection’s exhibitions spaces in Düsseldorf and Berlin since 2007. Among these were significant solo exhibitions by Derek Jarman, Sturtevant, Elizabeth Price, Ed Atkins, Frances Stark, Trisha Donnelly, Cyprien Gaillard, Arthur Jafa, and Ian Cheng.
The first large-scale group exhibition at the collection, Number One: Destroy, She Said (2007–08), was named after a video installation by artist Monica Bonvicini and loosely explored the relationship between interior and exterior, construction and destruction. Number Two: Fragile (2008–09) focused on the body and corporality, bringing together video, performance, and body art. Number Three: Here and Now (2009–10) was dedicated solely to performance and the ephemeral, with performances and concerts by some of the most prominent contemporary artists working today scheduled all year long. Almost ten years later, Number Thirteen: Hello Boys (2015–16) revisited performance and feminist video, questioning the representation of female identity and the performance document. To celebrate its tenth anniversary, the JULIA STOSCHEK COLLECTION invited artist Ed Atkins to curate a group exhibition in Düsseldorf, which he called Generation Loss (2017). The title refers to the process of quality deterioration as data carriers are copied successively and, at the same time, to the social upheavals from one generation to the next.
The inaugural exhibition in Berlin, Welt am Draht (2016), addressed the influences and shifts in our social reality, identities, and environment effected by processes of digitalization. Another group show, Jaguars and Electric Eels (2017), explored notions of indigeneity, of hybrids and synthetic forms of life, the migration of the species, and our constantly changing perceptions of reality. Large-scale solo presentations supplement the collection exhibition program. In 2018, the JULIA STOSCHEK COLLECTION, Berlin, presented a comprehensive exhibition by Arthur Jafa, his first in Germany. In addition to exhibitions, smaller projects, talks, and ongoing screenings regularly accompany the program. There are two cinemas in Düsseldorf equipped to screen 16mm and 35mm films in their original format.
LOAN REQUESTS
Loan requests for works of the JULIA STOSCHEK COLLECTION should be sent by e-mail to Anna-Alexandra Pfau, Head of JSC Düsseldorf & Sammlung, [emailprotected]
The loan request will be processed if the following conditions are met:
Loan requests must be made at least 6 months before the desired start of the loan period. The request must contain the following information and documents:
Name and address of the institution submitting the loan request; name, function, telephone number, postal address and e-mail address of the contact person; exact name of the requested work; period, name of the exhibiting institution and location of the exhibition; detailed exhibition or project description in which the work is to be presented; a current facility report of the institution.
Please note that works that have a reference to Electronic Arts Intermix in the Courtesy line may not be lend through the JULIA STOSCHEK COLLECTION. Please contact Electronic Arts Intermix, New York directly.
RESTORATION & PRESERVATION
Long-Term Archiving
The conservation requirements for time-based media (TBM) have changed drastically over the last ten years. Initially the medium—specifically videotapes and DVDs—was the main focus of conservational attention. Just like any other materials, media are also susceptible to aging processes that in the long run can lead to damage or even the loss of works.
Yet aging is only one aspect of the problem. There are also file formats and complex technical installations that are based on computer technologies or other hardware. All of these components can age: not only the media themselves are affected by the processes of decay, but even the content can become unreadable over of the years due to incompatibilities. Technological evolution constantly results in new file formats and software codecs that are adapted in the production process of video artists. This is why in addition to the material-related risks, careful observation is necessary to ascertain which technologies have a promising future—and which digital platforms and formats are on their way to becoming obsolete. To this end all new acquisitions must be thoroughly evaluated and documented to determine the exact type of digital format. The files are then transferred to a digital repository.
To meet all of the different requirements, a multistage strategy for long-term archiving was developed for the JULIA STOSCHEK COLLECTION, based on the “three-pillar approach.” The goal is to consolidate the heterogenous collection on a digital level in just a few established and hom*ogeneous target formats. This noticeably reduces the conservation effort since only a manageable number of formats need to be regularly checked and monitored to safeguard against formats that are becoming obsolete. This is flanked by individual solutions for artworks that do not support a standardized procedure. On a digital level, multiple backups that are independent and redundant give additional security, thus ensuring that the collection is preserved.
Media-Art Repository
The media art-depository is the heart of the collection. Since fluctuating temperatures and humidity factors cause damage to videotapes and film, this was one of the most important factors during the planning. Temperatures of around 15 degrees Celsius (59 degrees Fahrenheit) and 35 percent relative humidity (RF) are considered optimal for storing magnetic tapes and was therefore chosen for the repository. These conditions are also appropriate for film and slides.
The media art depot, designed and individually planned for the JULIA STOSCHEK COLLECTION, has two airlocks: one prevents abrupt changes in climate when people enter, while the second airlock is conceived for tapes and media that are stored in the media depository. They can acclimatize slowly in the airlock before they are moved to special mobile shelving for storage. The mobile shelving system, which is equipped with ball-bearing mountings, ensures that the space is used optimally. The floor has a stove-enamel finish and was checked for leftover magnetic charge to eliminate all risks for the stored videotapes. In addition, the shelves are grounded to prevent any static electricity.
Since dust and air pollution represent a serious danger for media artworks, the air is filtered multiple times before and after the conditioning process. Smoke and water detectors as well as an alarm system simultaneously offer comprehensive hazard protection.
The elaborate technical amenities in combination with the custom mobile shelving make the media-art repository unique in Europe.
Time-based media conservator
online viewable
Daata
2020s
2010s
2000s
1990s
1980s
1970s
1960s
1950s
1920s
1910s
Time-based art
Video
Film
35mm film
16mm film
Super 8mm film
8mm film
Virtual reality
Live simulation
Artificial lifeform
Sound art
Installation
Mixed media
Photography
Diaprojektion
Performance art
Skulptur
video sculpture
Light object
Painting
Drawing
Lithograph
Collage
Land art
Body art
Site-specific
Queer Cinema
Camp
The Dusseldorf School of Photography
Jacolby Satterwhite
1–8. En Plein Air Abstraction (full length feature), 2018
Jacolby Satterwhite
Birds in Paradise, 2019
Jacolby Satterwhite
Moments of Silence, 2019
Rindon Johnson
May the moon meet us apart, may the sun meet us together, 2021
Simon Fujiwara
Once Upon a Who?, 2021
P. Staff
Pure Means, 2021
Ulysses Jenkins
Two Zone Transfer, 1979
Katharina Sieverding
24/III/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973
Manuel Graf
1000 Jahre sind ein Tag, 2005
Katharina Sieverding
11/III/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973
Cemile Sahin
12, 2021
Christian Jankowski
16 mm Mystery, 2004
Christoph Schlingensief
18 Bilder pro Sekunde (Dokumentation der Ausstellung im Haus der Kunst, München), 2007
Roxy Paine
182212102002B, 2002
Jeppe Hein
2-Dimensional Mirror Labyrinth, 2006
Katharina Sieverding
26/III/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973
Charles Richardson
27th March, 2015
Klara Lidén
550, 2004
Sophie Gogl
8/2019, 2021
Cemile Sahin
9, 2021
A
Wu Tsang
A day in the life of bliss, 2014
David Wojnarowicz
A Fire In My Belly (Film In Progress) and A Fire In My Belly (Excerpt), 1986–1987
Ulay & Marina Abramović
A Performance Anthology. Abramović/Ulay. 14 performances Relation Work (1976–1980), 1976–1980.
Relation in Space, 1976
Talking about Similarity, 1976
Breathing in, Breathing out, 1977
Imponderabilia, 1977
Expansion in Space, 1977
Relation in Movement, 1977
Relation in Time, 1977
Light/Dark, 1977
Balance Proof, 1977
AAA-AAA, 1978
Incision, 1978
Kaiserschnitt, 1978
Charged Space, 1978
Three, 1978
Ulay & Marina Abramović
A Performance Anthology. Abramović/Ulay. Action in 14 predetermined sequences, 1976.
There is a Criminal Touch to Art, 1976
Ulay & Marina Abramović
A Performance Anthology. Abramović/Ulay. Four performances by Abramović (1975–1976), 1975–1976.
Art must be beautiful, Artist must be beautiful, 1975
Freeing the Voice, 1976
Freeing the Memory, 1976
Freeing the Body, 1976
Helen Benigson
A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 1, 2015
Helen Benigson
A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 2, 2015
Helen Benigson
A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 3, 2015
Helen Benigson
A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 4, 2015
Helen Benigson
A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 5, 2015
Helen Benigson
A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 6, 2015
Hannah Perry
aahhhhhh, 2015
Basel Abbas & Ruanne Abou-Rahme
Marina Abramović
Vito Acconci
Manuel Acevedo
Elmgreen & Dragset
Adaptation, Fig. 20, 2020
DAS INSTITUT
Adele Röder For DAS INSTITUT Starline, 2010
Christoph Schlingensief
Affenbilder, 2005
Christoph Schlingensief
Affenführer, 2005
Pep Agut
Peggy Ahwesh
Leo Gabin
Ain’t Gon Do It, 2015
Doug Aitken
Sophia Al-Maria
Leo Gabin
Aliens, 2015
Pipilotti Rist
Als der Bruder meiner Mutter geboren wurde, duftete es nach wilden Birnenblüten vor dem braungebrannten Sims, 1992
Peter Weibel
Als Fuji noch ein Berg war, 1990
Lutz Mommartz
Als wär’s von Beckett, 1975
Francis Alÿs
Francis Alÿs & Rafael Ortega
David Claerbout
American Car, 2004
Matthew Buckingham
Amos Fortune Road, 1996
Matt Copson
Anarchist, 2015
Jen DeNike
Anat, 2006
Jacky Connolly
Anhedonia (full length feature), 2017
Ana Mendieta
Anima, Silueta de Cohetes (Firework Piece), 1976
Kerstin Brätsch, Adele Röder
Announcement Poster 1 and 2, 2011
Ant Farm & T.R. Uthco
Eleanor Antin
DAS INSTITUT
Apes and Shapes (I’ll see you again in 25 years), 2011
Arthur Jafa
Apex, 2013
Vito Acconci
Applications, 1970
Cory Arcangel
Colin Montgomery
Arlington National Cemetery (JFK funeral model), 2005
Bruce Nauman
Art Make-Up, 1967–1968
Art Make-Up, No. 1, White, 1967
Art Make-Up, No. 2, Pink, 1967
Art Make-Up, No. 3, Green, 1967–1968
Art Make-Up, No. 4, Black, 1967–1968
Cyprien Gaillard
Artefacts, 2011
Natascha Sadr Haghighian
Artificial Life, 1995
Richard Artschwager
Elizabeth Price
At the House of Mr. X, 2007
Ed Atkins
Charles Atlas
Kader Attia
Barbara Hammer
Audience, 1982
Jacolby Satterwhite
Avenue B, 2018–2019
Leo Gabin
Awesome, 2015
Ilit Azoulay
B
Lutz Bacher
Thomas Demand
Badezimmer (Bathroom), 1997
Jo Baer
Trisha Baga
John Baldessari
John Baldessari
Baldessari sings LeWitt, 1972
Jules de Balincourt
Heike Baranowsky
Claus Föttinger
Barbarella, Matmos and Chief of Matmos, 2006
Christoph Westermeier
Barbarian + Classics, 2012
Sigalit Landau
Barbed Hula, 2000
Manfred Pernice
barriere ‚Tiefengarage‘, 2008
Hernan Bas
Ed Fornieles
Bathing, 2015
Paul Hance
Beacon, Celestial Planes (gold-pink), 2022
Sophia Al-Maria
Beast Type Song, 2019
Francis Alÿs
Beggars, 2004
Neïl Beloufa
Lynda Benglis
Helen Benigson
Meriem Bennani
Bernadette Corporation
Thomas Bernstein
Walead Beshty
Jeremy Shaw
Best Minds Part One, 2007
Jon Rafman
Betamale Trilogy (Glass Cabin), 2015
Still Life (Betamale), 2013
Mainsqueeze, 2014
Erysichthon, 2015
Joseph Beuys
Clemens von Wedemeyer
Big Business + The Making of Big Business, 2002
Big Business, 2002
The Making of Big Business, 2002
Johanna Billing
Mary Lucier
Bird’s Eye, 1978
Dara Birnbaum
Hannah Black
Paul McCarthy
Black and White Tapes, 1970-1975
Ma Bell, 1971
Painting Face Down – White Line, 1972
Spit – Not Looking at the Camera, 1974
Spinning, Short segment of 20-minute Tape, 1970–71
Whipping the Wall with Paint, 1975
Up Down Penis Show, 1974
Zippedy Doo Dance, 1974
Icicle Slobber, 1975
Pipe Shadow, 1975
Upside Down Spitting – Bat, 1975
Drawing – sem*n Drawing, 1975
Spitting on the Camera Lens, 1974
Upside Down Pipe, 1975
Bruce Nauman
Black Balls, 1969
Christoph Westermeier
Blaker, 2011
David Blandy
Jesper Just
Bliss and Heaven, 2004
Doug Aitken
Blow Debris, 2000
Sean Bluechel
Pipilotti Rist
Blutclip, 1993
Ian Cheng
BOB (Bag of Beliefs), 2018–2019
John Bock
Hannah Black
Bodybuilding, 2015
Monica Bonvicini
Adam Putnam
Bookshelf, 1997
Matt Copson
Booty Call, 2015
Nam June Paik
Born Again, 1991
Alexander Bornschein
Bruce Nauman
Bouncing Balls, 1969
Bruce Nauman
Bouncing in the Corner No. 1, 1968
Bruce Nauman
Bouncing in the Corner, No. 2: Upside Down, 1969
Bruce Nauman
Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, 1967–1968
Carol Bove
Robert Boyd
Leo Gabin
Break Up, 2015
Matt Copson
Broadcast, 2015
Doug Aitken
Broken Glass in the Slipstream, 2003
Klaus vom Bruch
Lonnie van Brummelen & Siebren de Haan
Matthew Buckingham
Chris Burden
Anthony Burdin
Reynold Reynolds & Patrick Jolley
Burn, 2002
A.K. Burns & A.L. Steiner
Jeff Burton
Peter Fischli & David Weiss
Büsi, 2001
Andrea Büttner
Joseph Beuys
Buttocklifting (Edition Staeck), 1974
C
Matt Calderwood
Sophie Calle
Taryn Simon
CALVIN WASHINGTON, C&E Motel, Room No. 24, Waco, Texas. Where an informant claimed to have heard Washington confess. Served 13 years of a life sentence for capital murder, 2002
Peter Campus
Robin Rhode
Candle, 2007
Karl Wilhelm Diefenbach
Capri, 1911
Till Gerhard
Captain America, 2004
Cemile Sahin
car, road, mountain, 2020
Charles Richardson
Carramesh, 2015
Julius Shulman
Case Study House #22. Los Angeles, CA, Pierre Koenig Architect, 1960
Andreas Gursky
Centre Pompidou, 1995
Richard Artschwager
Chair/Chair, 1980
Richard Artschwager
Chair/Chair, 1980
Paul Chan
Patty Chang
Mika Rottenberg
Chasing Waterfalls. The Rise and Fall of the Amazing Seven Sutherland Sisters, 2006
Mika Rottenberg
Cheese, 2008
House, 2008
Cheese, 2008
Hairwash, 2008
Milk, 2008
Concert, 2008
Chicken Soup, 2008
Ian Cheng
Mark Leckey
Cinema-in-the-Round, 2006–2008
Cyprien Gaillard
Cities of Gold and Mirrors, 2009
David Claerbout
Klara Lidén
Claim, 2010
Clegg & Guttman
Ed Fornieles
Climbing, 2015
Andreas Gursky
Cocoon II, 2008
Tony co*kes
Stephanie Comilang & Simon Speiser
Catherine Opie
Commissioned Portrait: Julia and Jacob, 2019
A.K. Burns & A.L. Steiner
Community Action Center, 2010
Jacky Connolly
Ulay & Marina Abramović
Continental Videoseries. Abramović/Ulay (1983–1986), 1983–1986.
City of Angels, 1983
Terra Degla Dea Madre, 1984
Terminal Garden, 1986
China Ring, unedited video notebook, 1988
Matt Copson
Michael Snow
*Corpus Callosum, 2002
Vito Acconci
Corrections, 1970
Jane Crawford & Robert Fiore
Jamie Crewe
Leila Hekmat
CROCOPAZZO!, 2020
James Richards & Leslie Thornton
Crossing, 2016
Kandis Williams
cruz: or, as Spillers puts it, „the captive body becomes the source of an irresistible, destructive sensuality“, 2020
Brock Enright
Crystal Anarchy Sign (pink), 2007
Lucy Raven
Curtains, 2014
Keren Cytter
D
Bruce Nauman
Dance or Exercise on the Perimeter of a Square (Square Dance), 1967–1968
Klaus vom Bruch
Das Alliiertenband, 1982
Clemens von Wedemeyer
Das Bildermuseum brennt, 2004/05
Carol Bove
Das Energi, 2005/06
DAS INSTITUT
Leo Gabin
Date Yourself, 2015
Ed Atkins
Death Mask II: The Scent, 2010
Ed Atkins
Death Mask III, 2011
Jessica Mein
DeleveleD, 2007
Asier Mendizabal
Delimitar #1, 2009
Asier Mendizabal
Delimitar #2, 2009
Asier Mendizabal
Delimitar #3, 2009
Asier Mendizabal
Delimitar #4, 2009
Asier Mendizabal
Delimitar #5, 2009
Ed Atkins
Delivery to the Following Recipient Failed Permanently, 2011
Thomas Demand
Jen DeNike
Simon Denny
Jan Paul Evers
Der Abstand zwischen den Gipfeln menschlicher Möglichkeiten, 2011
Tobias Zielony
Der Brief (The Letter), 2013
Anthony Burdin
Desert Mix, „Go See um Black Feather“, 2003
Josh Kline
Designer’s Head in Tim Coppens (Tim), 2013
Cyprien Gaillard
Desniansky Raion, 2007
Monica Bonvicini
Destroy She Said, 1998
Thomas Demand
Details (Sportscar), 2005
Frances Stark
Detumescence and/or its Opposite (from a Torment of Follies), 2012
Maria Anna Dewes
Christoph Schlingensief
Diana Altar, 2006
Jana Euler
Die Höhle aus Löwen, 2013
Christian Jankowski
Die Jagd, 1992/1997
Till Gerhard
Die Ordnung der Dinge, 2004
Lutz Mommartz
Die Treppe, 1967
Karl Wilhelm Diefenbach
Sturtevant
Dillinger Running Series, 2000
Christoph Steinmeyer
Disco Inferno Edition, 2008
Tony co*kes
Disco Isn’t Dead: Evil 16. (Torture.Musik), 2019
Adam Putnam
Dish Cabinet, 1997
Timur Si-Qin
Display (Peace), 2015
Joan Jonas
Disturbances, 1974
Nathalie Djurberg & Hans Berg
Chloe Wise
do you really think he fingered her, 2015
Chris Burden
Documentation of selected works, 1971–1975
Deadman, 1972
Bed Piece, 1972
Through the Night Softly, 1973
Icarus, 1973
Shoot, 1971
Cheryl Donegan
Trisha Donnelly
Thorben Eggers
Doppelseite, 2015
Sophie Calle
Double Blind, 1992
Thiago Rocha Pitta
Double fountain or cooked landscape, 2005
Barbara Hammer
Double Strength, 1978
Mika Rottenberg
Dough, 2006
Juan Downey
Ulysses Jenkins
Dream City, 1983
Jon Rafman
Dream Journal 2016 – 2019, 2019
Alex Müller
Drei Finger Dick, 2005
Jen DeNike
Dunking, 2003
Albrecht Dürer
Helen Marten
Dust and Piranhas, 2011
Marcel Dzama
E
Mika Rottenberg
e20, 2005
Mika Rottenberg
e24, 2005
Ryan Trecartin
Early Baggage, 2001–2003
Rosemarie Trockel
Egg-trying to get warm (Versuch nach Mach), 1994
Thorben Eggers
Rosemarie Trockel
Ei-Dorado, 1992/1998
John Bock
Ein Haufen voller Flacker, 2012
Die abgeschmierte Knicklenkung im Gepäck verheddert sich im weißen Hemd, 2009
Im Schatten der Made, 2010
Pi-Bean, 2010
Seewolf, 2010
Bauchhöhle bauchen, 2011
Lichterloh Roh, 2011
Monsieur et Monsieur, 2011
Nichts unter der Kinnlade, 2011
Lütte mit Rucola, 2006
Martin Honert
Eisbär, 1995/2001
Sturtevant
Elastic Tango, 2010
Olafur Eliasson
Elmgreen & Dragset
Colin Montgomery
Emergency Doors (Smithsonian American History Museum), 2006
Tracey Emin
Ian Cheng
Emissary Forks At Perfection, 2015
Ian Cheng
Emissary in the Squat of Gods, 2015
Ian Cheng
Emissary Sunsets The Self, 2017
Paul Pfeiffer
Empire, 2004
Natascha Sadr Haghighian
Empire of the Senseless Part II, 2006
Nam June Paik
EMPIRE STATE BUILDING, 1995
Encyclopedia Pictura & Björk
Brock Enright
Pipilotti Rist
(Entlastungen) Pipilottis Fehler, 1988
Anicka Yi
Escape From the Shade 5, 2016
Rob Pruitt
Esprit de Corps: Guitar Jam, 2006
Jana Euler
Kandis Williams
Eurydice, 2018
Ed Atkins
Even Pricks, 2013
Jan Paul Evers
Mathilde Rosier
Every Day the Same, 2002
Helen Marten
Evian Disease, 2012
Tony Oursler
EVOL, 1984
Martti Kalliala & Daniel Keller
Exitscape 1, 2015
Martti Kalliala & Daniel Keller
Exitscape 2, 2015
Martti Kalliala & Daniel Keller
Exitscape 3, 2015
Martti Kalliala & Daniel Keller
Exitscape 4, 2015
Martti Kalliala & Daniel Keller
Exitscape 5, 2015
Martti Kalliala & Daniel Keller
Exitscape 6, 2015
VALIE EXPORT
Charles Richardson
Extra, 2015
Mike Kelley
Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011
Mike Kelley
Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011
F
VALIE EXPORT
Facing a Family, 1971
Loretta Fahrenholz
Ed Fornieles
Falling, 2015
Patty Chang
Fan Dance, 2003
Leo Gabin
Fast Lost by Ho Ho Click, 2015
Walead Beshty
FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex Priority Overnight, Los Angeles-Dusseldorf, trk#865282057872, September 19-20, 2008FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex Priority Overnight, Los Angeles-Dusseldorf, trk#865282057894, September 19-20, 2008FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex PriorityOvernight, Los Angeles-Dusseldorf, trk#865282057909, September 19-20, 2008FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex Priority Overnight, Los Angeles-Dusseldorf, trk#865282057861, September 19-20, 2008FedEx® Medium Kraft Box ©2005 FEDEX 330504 REV 10/05 CC, Fedex Priority Overnight, Los Angeles-Dusseldorf,trk#865282057883, September 19-20, 2008, 2008
Tracey Emin
Feel Your Touch, 2016
Cao Fei
Mark Leckey
Felix Gets Broadcasted, 2007
Jen DeNike
Fell, 2006
Lynda Benglis
Female Sensibility, 1973
Moritz Wegwerth
Fenster, 2013
Laurel Nakadate
Fever Dream with Rabbit, 2009
GCC
Figure A: Amalgamated City, 2013
Asier Mendizabal
Figures and Prefigurations (Divers, A. Rodchenko, 1930, Political Football), 2009
Asier Mendizabal
Figures and Prefigurations (Divers, V. Palladini, 1926), 2009
Sturtevant
Finite/Infinite, 2010
Mark Leckey
Fiorucci Made Me Hardcore, 1999
Peter Fischli & David Weiss
Jack Smith
Flaming Creatures, 1962/63
Christiane Fochtmann
Josh Kline
Forever 27 (Kurt), 2013
Josh Kline
Forever 48 (Whitney), 2013
Ed Fornieles
Claus Föttinger
Paul Pfeiffer
Four Horsem*n of the Apocalypse (15), 2004
Paul Pfeiffer
Four Horsem*n of the Apocalypse (16), 2004
Keren Cytter
Four Seasons, 2009
Claus Föttinger
Fragile-Bar, 2008
Aaron Young
Freedom Fries, 2005
Aaron Young
Freeformdome, 2003
Wolfgang Tillmans
Freischwimmer 21, 2004
Dara Friedman
Charles Richardson
Friend, 2015
WangShui
From Its Mouth Came a River of High-End Residential Appliances, 2018
Alex McQuilkin
f*cked, 1999
Simon Fujiwara
Carolee Schneemann
Fuses, 1964–1967
G
Cyprien Gaillard
Ryan Gander
Andreas Gursky
Gasherd, 1980
Bruce Nauman
Gauze, 1969
GCC
Oliver Payne & Nick Relph
Gentlemen, 2003
Isa Genzken
Till Gerhard
Hannah Wilke
Gestures, 1974
Bernadette Corporation
Get rid of yourself, 2003
Alex McQuilkin
Get Your Gun Up, 2002
Beatrice Gibson
Melanie Gilligan
Kate Gilmore
Leo Gabin
Girlhood, 2015
Jen DeNike
Girls like me, 2006
Nam June Paik
Global Groove, 1973
Rob Pruitt
Global Warming, 2006
Matt Calderwood
Gloss, 2004
Sophie Gogl
Torbjørn Rødland
Goldene Tränen, 2002
Aaron Young
Good Boy, 2001
Douglas Gordon
Manuel Graf
Dan Graham
Heike Baranowsky
Gras, 2001
Mark Leckey
GreenScreenRefrigerator, 2010
Jan Paul Evers
Große rekursive Funktion, 2010
Lonnie van Brummelen & Siebren de Haan
Grossraum (Borders of Europe), 2004/05
Klara Lidén
Grounding, 2018
Manuel Graf
Gründer, 2014
Guerrilla Girls
Cao Guimarães
Andreas Gursky
H
Charles Atlas
Hail the New Puritan, 1985/86
Barbara Hammer
Monica Bonvicini
Hammering Out (an old argument), 1998–2003
Paul Hance
Klara Lidén
Handicap (Konst Fack), 2007
Hannah Wilke
Hannah Wilke Through the Large Glass, 1976
Claus Föttinger
Hanoi/Saigon, 2007
Paul Chan
Happiness (Finally) After 35,000 Years of Civilization (after Henry Darger and Charles Fourier), 2000–2003
Asier Mendizabal
Hard Edge 4, 2010
Aura Rosenberg
Harmony Korine/Carmen, 1998
Bill Viola
Hatsu-Yume (First Dream), 1981
Amir Yatziv
Hausbaumaschine, 2013
Britta Thie
„HD“, 2016
Anthony Burdin
He Ain’t No f*ckin’ Drumma, Summer P-lot Tour 2003, Oxnard CA (1. Light My Fire, 2. Kashmiur), 2003
Cheryl Donegan
Head, 1993
Wolfgang Tillmans
Heartbeat/Armpit, 2003
Jon Kessler
Heaven’s Gate, 2004
Paul McCarthy & Mike Kelley
Heidi, 1992
Mathilde ter Heijne
Jeppe Hein
Leila Hekmat
Hannah Wilke
Hello Boys, 1975
Trisha Baga
Hercules, 2012
Lynn Hershman Leeson
Aaron Young
High Performance, 2000
Florian Meisenberg
hihihihihihihihihihihih, 2015
Gary Hill
Cao Fei
Hip Hop Guangzhou, 2003
Candida Höfer
Christian Jankowski
Hollywoodschnee, 2004
Nancy Holt
Nancy Holt & Robert Smithson
Thiago Rocha Pitta
Homage to JMW Turner, 2002
Martin Honert
Kristin Lucas
Host, 1997
Jack Smith
Hot Air Specialists, 1980s
Peter Fischli & David Weiss
Hunde, 2003
Lina Lapelytė
Hunky Bluff ACT 1, 2015
Lina Lapelytė
Hunky Bluff ACT 2, 2015
Lina Lapelytė
Hunky Bluff ACT 3, 2015
Lina Lapelytė
Hunky Bluff ACT 4, 2015
Lina Lapelytė
Hunky Bluff ACT 5, 2015
Lina Lapelytė
Hunky Bluff ACT 6, 2015
I
Sean Bluechel
I am in love with a succubus, 2006
Jeremy Shaw
I CAN SEE FOREVER, 2018
Tracey Emin
I Can’t Love Anymore, 2016
Rindon Johnson
I First you (11/11), 2018
Britta Thie
„I googled my mom and was relieved that she is still safe“, 2016
Beatrice Gibson
I HOPE I’M LOUD WHEN I’M DEAD, 2018
Tracey Emin
I Lay Here, 2016
Christoph Schlingensief
I want to destroy, 2005
Claus Föttinger
I Want To See How You See, 2010
Barbara Hammer
I Was/I Am, 1973
Cao Fei
i.Mirror by China Tracy (AKA: Cao Fei), 2007
Aaron Young
I.P.O (25 Offerings), 2006
Philip Topolovac
I’ve Never Been to Berghain, 2016
Pipilotti Rist
I’m a Victim of This Song, 1995
Pipilotti Rist
I’m not the Girl who misses much, 1986
David Blandy
Ice, 2015
Britta Thie
„If something turns into hype that once saved you, it feels like you are back on the Titanic again. But Jack Dawson has already left you“, 2016
Anne Imhof
Loretta Fahrenholz
Implosion, 2011
Timur Si-Qin
In Memoriam 9, 2015
Stephen Vitiello
In The Woods, 2015
Gary Hill
Incidence of Catastrophe, 1987–1988
Alex McQuilkin
Indefinite Line Towards Becoming the Perfect SoHo Girl, 2000
Lawrence Weiner
Inherent in the Rhumb Line, 2005
Matt Copson
Inherited Deficit, 2015
Hannah Wilke
Intercourse with …, 1977
Britta Thie
„Interfaces become our weather“, 2016
Doug Aitken
Interiors, 2002
Rosemarie Trockel
Interview, 1994
Nandipha Mntambo
Intsandvokati, 2008
Thiago Rocha Pitta
Inverted zenith, 2005
Sondra Perry
IT’S IN THE GAME ‘17, 2017
Nathalie Djurberg & Hans Berg
It’s the Mother, 2008
Britta Thie
„It’s all good in Italics“, 2016
J
Arthur Jafa
Neïl Beloufa
Jaguacuzzi, 2015
APRIL THE SECOND, 2007
KEMPINSKI, 2007
TOUR, 2009
BRUNE RENAULT, 2010
SANS TITRE, 2010
SAYRE AND MARCUS, 2010
THE ANALYST, THE RESEARCHER, THE SCREENWRITER, THE CGI TECH AND THE LAWYER, 2011
CATENACCIO SYSTEM, 2011
PEOPLE’S PASSION, LIFESTYLE, BEAUTIFUL WINE, GIGANTIC GLASS TOWERS, ALL SURROUNDED BY WATER, 2011
PARTY ISLAND, 2012
REAL ESTATE, 2012
WORLD DOMINATION, 2012
TONIGHT AND THE PEOPLE, 2013
DESIRE FOR DATA, 2014
HOME IS WHENEVER I’M WITH YOU, 2014
VENGEANCE, 2014
Lutz Bacher
James Dean, 1986/2014
Christian Jankowski
Ulysses Jenkins
Hernan Bas
Jetsam from the wreck of the Half Moon, 2016
Rindon Johnson
Joan Jonas
Benjamin Jones
Richard Phillips
Julia, 2014
Candida Höfer
Julia Stoschek Collection Düsseldorf VIII, 2008
Candida Höfer
Julia Stoschek Collection IV, 2008
Isaac Julien
Jack Smith
Jungle Island, 1967
Jesper Just
Tracey Emin
Just Let Me Love You, 2016
K
K-HOLE
K-HOLE
K-HOLE for education, 2016
Martti Kalliala & Daniel Keller
Klara Lidén
Kasta Macka, 2009
Wolfgang Tillmans
Kate McQueen, 1996
Hannah Perry
keep the peace, 2015
Mike Kelley
Zilvinas Kempinas
Jon Kessler
Till Gerhard
Kleiner Hunger, 2006
Josh Kline
Pierre Klossowski
Imi Knoebel
Cyprien Gaillard
KOE, 2015
Terence Koh
VALIE EXPORT
Körperkonfiguration, 1982
Andreas Korte
Franz West
Künstlerstuhl K095, 2011
Franz West
Künstlerstuhl K104, 2011
Franz West
Künstlerstuhl K107, 2011
Franz West
Künstlerstuhl K108, 2011
Franz West
Künstlerstuhl K116, 2011
Franz West
Künstlerstuhl K117, 2011
Franz West
Künstlerstuhl K118, 2011
Franz West
Künstlerstuhl K121, 2011
Franz West
Künstlerstuhl K122, 2011
Franz West
Künstlerstuhl K126, 2011
Franz West
Künstlerstuhl K130, 2011
Franz West
Künstlerstuhl K131, 2011
Sarah Kürten
L
Cyprien Gaillard
L’Ange du foyer (Vierte Fassung), 2019
Wolfgang Tillmans
LA still life, 2001
Marie-Jo Lafontaine
Sigalit Landau
Lina Lapelytė
Mark Manders
Large Figure with Thin Newspaper, 2010
Taryn Simon
LARRY MAYES Scene of arrest, The Royal Inn, Gary, Indiana. Police found Mayes hiding beneath a mattress in this room. Served 18.5 years of an 80-year sentence for rape, robbery and unlawful deviate conduct, 2002
Tobias Zielony
Le Vele di Scampia, 2009
Mark Leckey
Marcel Dzama
Leila Khaled does not need me, 2008
Leo Gabin
Marie-Jo Lafontaine
Les Larmes d’Acier, 1988
Keren Cytter
Les Ruissellements du Diable, 2008
Hannah Perry
let go beat, 2015
Rachel Maclean
Let It Go – Part 1, 2015
Rachel Maclean
Let It Go – Part 2, 2015
Rachel Maclean
Let It Go – Part 3, 2015
Rachel Maclean
Let It Go – Part 4, 2015
Rachel Maclean
Let It Go – Part 5, 2015
Rachel Maclean
Let It Go – Part 6, 2015
Matt Copson
Letter from War, 2015
Klara Lidén
Thomas Demand
Lift, 2004
Matt Calderwood
Light, 2004
Claus Föttinger
Light Object Jaguars and Electric Eels, 2017
Claus Föttinger
Light Object Kill, 2014
Claus Föttinger
Light Object No. 1: Destroy, She Said, 2007
Claus Föttinger
Light Object No. 10: Trisha Donnelly, 2015
Claus Föttinger
Light Object No. 11: Cyprien Gaillard, 2015
Claus Föttinger
Light Object No. 12: Hello Boys, 2016
Claus Föttinger
Light Object No. 13: Hito Steyerl – Missed Connections, 2016
Claus Föttinger
Light Object No. 2: Fragile, 2008
Claus Föttinger
Light Object No. 3: Here and Now, 2009
Claus Föttinger
Light Object No. 4: Derek Jarman – Super8, 2010
Claus Föttinger
Light Object No. 6: Flaming Creatures, 2012
Claus Föttinger
Light Object No. 7: Ed Atkins – Frances Stark, 2013
Claus Föttinger
Light Object No. 8: Sturtevant, 2014
Claus Föttinger
Light Object Welt am Draht, 2016
Claus Föttinger
Light Object: Arthur Jafa – A Series of utterly improbable, extraordinary renditions, 2018
Kurt Lightner
Matt Calderwood
Lightning, 2005
Jeremy Shaw
Liminals, 2017
Anthony McCall
Line Describing a Cone, 1973
Bruce Nauman
Lip Sync, 1969
Leo Gabin
Lips, 2015
Roman Lipski
Arthur Jafa
Love is the Message, The Message is Death, 2016
Kristin Lucas
Sarah Lucas
Mary Lucier
Christoph Westermeier
Lüster, 2011
Wolfgang Tillmans
Lutz, Alex, Susanne & Christoph on beach (orange), 1993
M
Rachel Maclean
Mark Leckey
Made in ‘Eaven, 2004
Kate Gilmore
Main Squeeze, 2006
Britta Thie
„MALL-E“, 2016
Mark Manders
Bunny Rogers
Mandy’s Piano Solo in Columbine Cafeteria, 2016
Christian Marclay
Helen Marten
Mika Rottenberg
Mary’s Cherries, 2004
Tobias Zielony
Maskirovka, 2017
Ulysses Jenkins
Mass of Images, 1978
Mathilde ter Heijne
Mathilde, Mathilde, 2000
Gordon Matta-Clark
Anthony McCall
Paul McCarthy
Paul McCarthy & Mike Kelley
Adam McEwen
Alex McQuilkin
Jessica Mein
Florian Meisenberg
Bjørn Melhus
Ana Mendieta
Asier Mendizabal
Christoph Schlingensief
Message in a Bottle, 2008
Carol Bove
Mia, 2005
Aura Rosenberg
Mike Kelley/Carmen, 1996
Kader Attia
Mimesis as Resistance, 2013
Meriem Bennani
MISSION TEENS: French School in Morocco, 2019
David Blandy
Mist, 2015
Nandipha Mntambo
Ulay & Marina Abramović
Modus Vivendi. Abramović/Ulay (1979–1986), 1979–1986.
Communist Body/Fascist Body, 1979
That Self, 1980
Anima Mundi, 1983
Positive Zero, 1983
Modus Vivendi, 1985
Night See Crossing Conjunction, 1983
The Observer with Remy Zaugg, 1984
Lutz Mommartz
Pep Agut
Mon ombre est un mur, 1996
Heike Baranowsky
Mondfahrt, 2001
Nancy Holt
Mono Lake, 1968-2004
Colin Montgomery
David Blandy
Moon, 2015
Alex Morrison
Tony Oursler
Movie Block (time shift edit), 1994-2007
Otto Mueller
Alex Müller
Simon Denny
Multimedia Double Canvas progression, 2009
Multimedia Double Canvas Toshiba, 2009
Multimedia Double Canvas Thomson, 2009
Multimedia Double Canvas Tevion, 2009
Multimedia Double Canvas Hantarex, 2009
Multimedia Double Canvas Philips, 2009
Multimedia Double Canvas Samsung, 2009
Takeshi Murata
Frances Stark
My Best Thing, 2011
Kate Gilmore
My Love is an Anchor, 2004
Loretta Fahrenholz
My Throat, My Air, 2013
N
Asier Mendizabal
N,S,O,T,C, 2008
Wolfgang Tillmans
nackt, 2003
Laurel Nakadate
Christoph Westermeier
Nancy, Pamela, Thomas, Diana, Unity, Jessica, Deborah, 2011
Cao Guimarães
Nanofania, 2003
Bruce Nauman
Charles Richardson
Needles, 2015
Andro Wekua
Never Sleep with a Strawberry in Your Mouth, 2010
Douglas Gordon
New Colour Empire, 2006–2010
Douglas Gordon
New Colour Empires, 2006–2010
Carsten Nicolai
Cyprien Gaillard
Nightlife, 2015
Barbara Hammer
No No Nooky T.V., 1987
Jack Smith
No President, 1967–1970
Bjørn Melhus
No Sunshine, 1997
Jack Smith
Normal Love, 1963–1965
Frances Stark
Nothing is enough, 2012
O
Katharina Sieverding
o.T., 1990
Ilit Azoulay
Object #1, 2015
Ilit Azoulay
Object #2, 2015
Ilit Azoulay
Object #3, 2015
Ilit Azoulay
Object #4, 2015
Ilit Azoulay
Object #5, 2015
Ilit Azoulay
Object #6, 2015
Cyprien Gaillard
Ocean II Ocean, 2019
Young-jun Tak
Of All Seasons, 2023
Jon Rafman
Oh the humanity, 2015
Matt Copson
Oh-reg-ah-no, 2015
Alexander Bornschein
Ohne Titel, 2011
Claus Föttinger
Ohne Titel, 2004
Franz West
ohne Titel (L28), 2006
Franz West
ohne Titel (L31), 2006
Takeshi Murata
OM Making it Rain, 2015
Takeshi Murata
OM Passenger, 2015
Wolfgang Tillmans
Omen, 1991
Till Gerhard
Online Polonäse, 2006
Vito Acconci
Openings, 1970
Catherine Opie
Dennis Oppenheim
Frances Stark
Osservate, leggete con me, 2012
Tony Oursler
Jack Smith
Overstimulated, 1959–1963
P
Paper Rad
P-Unit Mixtape, 2005
Adrian Paci
Sturtevant
Pacman, 2012
Nam June Paik
Roxy Paine
Seth Price
„Painting“ Sites, 2000/01
Rachel Rose
Palisades, 2015
Palisades in Palisades, 2014
Palisades (audio piece), 2015
A Minute Ago, 2014
Carol Bove
Panegyric (Vogue Photocollage), 2003
Paper Rad
Mark Leckey
Parade, 2003
Carsten Nicolai
Parallel Lines Cross at Infinity, 2015
Klara Lidén
Paralyzed, 2003
Ed Atkins
Paris Green, 2009
Meriem Bennani
Party on the CAPS, 2018
Jamie Crewe
Pastoral Drama, 2018
Oliver Payne & Nick Relph
Wolfgang Tillmans
Peas, 2003
Dan Graham
Performer/ Audience/ Mirror, 1975
Manfred Pernice
Hannah Perry
Sondra Perry
Paul Pfeiffer
Richard Phillips
Hannah Wilke
Philly, 1977
Tony Oursler
Phone Block (time shift edit), 1994-2007
Pipilotti Rist
Pickelp*rno, 1992
Cauleen Smith
Pilgrim, 2017
Stephanie Comilang & Simon Speiser
Piña, Why is the Sky Blue?, 2021
Manuel Graf
Ping Pong, 2005
Jan Paul Evers
Place de Pyramide, 2009
Barbara Hammer
Place Mattes, 1987
Takeshi Murata
Plant Whisperer, 2015
Bruce Nauman
Playing A Note on the Violin While I Walk Around the Studio, 1967–1968
Julia Scher
Please Feel Free (The Ecology of Visibility), 2020
Bunny Rogers
Poetry reading in Columbine Library with Joan of Arc / Poetry reading with Gazlene Membrane in Columbine Cafeteria, 2014
Jon Rafman
Poor Magic, 2017
Dara Birnbaum
Pop Pop Video, 1980
Guerrilla Girls
Portfolio Compleat, 1985–2016
Jan Paul Evers
Portrait Julia Stoschek, 2011
Ryan Gander
Portrait Of A Colour Blind Artist Obscured By Flowers, 2016
Clegg & Guttman
Portrait of a Lady, 2018
Thomas Ruff
Porträt 2009 (J. Stoschek), 2009
Elmgreen & Dragset
Powerless Structures, Fig. 101 (Maquette), 2015
Elizabeth Price
Seth Price
Gary Hill
Primarily Speaking, 1981–1983
Hannah Perry
Princess & princesses, 2015
Gordon Matta-Clark
Program Five, 1972–1976
Automation House, 1971
Clockshower, 1973
City Slivers, 1976
Dennis Oppenheim
Program One: Aspen Projects, 1970
Material Interchange, 1970
Identity Transfer, 1970
Rocked Hand, 1970
COMPRESSION – FERN #1, 1970
Pressure Piece #1, 1970
Glassed Hand, 1970
Compression – Poison Oak, 1970
COMPRESSION – FERN #2, 1970
Leafed Hand, 1970
Gordon Matta-Clark
Program One: Chinatown Voyeur, 1971
Gordon Matta-Clark
Program Seven, 1974–2005
Sous-Sols de Paris (Paris Underground), 1977–2005
Conical Intersect, 1975
Gordon Matta-Clark
Program Six, 1974–1976
Substrait (Underground Dailies), 1976
Bingo/Ninths, 1974
Splitting, 1974
Dennis Oppenheim
Program Six, 1971/72
Forming Sounds, 1971
2 Stage Transfer Drawing (Advancing to Future State), 1971
2 Stage Transfer Drawing (Retreating to a Past State), 1971
A Feedback Situation, 1972
3 Stage Transfer Drawing, 1971
Two Stage Transfer Drawing (Returning to a Past State), 1971
Objectified Counterforces, 1971
Shadow Project, 1971
Gordon Matta-Clark
Program Three, 1971–1975
Johanna Billing
Project for a Revolution, 2000
Imi Knoebel
Projektion X, 1972
Imi Knoebel
Projektion X Remake, 2005
Laure Prouvost
Rob Pruitt
Barbara Hammer
Psychosynthesis, 1975
Bruce Nauman
Pulling Mouth, 1969
Takeshi Murata
Pumpjack Popeye, 2015
Adam Putnam
Q
Jeremy Shaw
Quickeners, 2014
R
James Richards
Radio At Night, 2015
Jon Rafman
Stephen Vitiello
Ratner’s Star, 2015
Lucy Raven
Francis Alÿs in collaboration with Rafael Ortega
Rehearsal I (Ensayo I), 1999-2001
Claus Föttinger
Remix Luhmanneck for Cities of Gold and Mirrors, 2011
Kon Trubkovich
Repeat Offenders, 2006
Wolfgang Tillmans
Resolute Rave, 2015
Jack Smith
Respectable Creatures, 1950–1966
Dara Friedman
Revolution, 2003
Reynold Reynolds & Patrick Jolley
Florian Meisenberg
rghwori, 2015
Andreas Gursky
Rhein II, 1999
Robin Rhode
James Richards
James Richards & Leslie Thornton
James Richards & Steve Reinke
Charles Richardson
Clemens von Wedemeyer & Maya Schweizer
Rien du tout, 2006
Thiago Rocha Pitta
Rio de Janeiro X Sao Paulo, air trip with highway time or addressless love letter, 2005
Pipilotti Rist
Cao Fei
RMB City – A Second Life City Planning by China Tracy, 2007
Pierre Klossowski
Roberte aux barres parallèles, 1984
Thiago Rocha Pitta
Dan Graham
Rock my Religion, 1982-84
Bunny Rogers
Rob Pruitt
Roller Rink Coffee Table III (Falken), 2017
Taryn Simon
RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002
Rachel Rose
Aura Rosenberg
Mathilde Rosier
Martha Rosler
Mika Rottenberg
Torbjørn Rødland
Thomas Ruff
David Blandy
Ruin, 2015
Jane Crawford & Robert Fiore
Rundown, 1994
Ed Ruscha
S
Natascha Sadr Haghighian
Cemile Sahin
Barbara Hammer
Sanctus, 1990
Jen DeNike
Sasha, 2003
Trisha Donnelly
Satin Operator, 2007
Jacolby Satterwhite
Julia Scher
Christoph Schlingensief
Carolee Schneemann
Heike Baranowsky
Schwimmerin, 2000
Trisha Donnelly
Sconce, 2013
Jack Smith
Scotch Tape, 1959–1962
Matt Calderwood
Screen, 2005
David Blandy
Sea, 2015
Julia Scher
Security By Julia (Dispenser), 2020
Klara Lidén
Seine, 2010
Lutz Mommartz
Selbstschüsse, 1967
Timur Si-Qin
Selection Display: Ancestral Prayer, 2011, 2011
William Wegman
Selections from 1970–78, 1981
Andreas Korte
Self Coded, 2008
Klara Lidén
Self Portrait with the Keys to the City, 2005
Elmgreen & Dragset
Self-Portrait, No.41, 2016
Sarah Lucas
Selfish In Bed II, 2000
Martha Rosler
Semiotics of the kitchen, 1975
Lutz Bacher
Sex with Strangers, 1986
Pipilotti Rist
Sexy Sad I, 1987
Mark Leckey
Shades of Destructors, 2005
Patty Chang
Shaved (At A Loss), 1998
Jeremy Shaw
Tracey Emin
She Lay There, 2016
Peggy Ahwesh
She Puppet, 2001
Chloe Wise
she’s so talented, 2015
Jen DeNike
Shipwreck, 2005
Andro Wekua
Should be titled, 2010/2011
Chloe Wise
should I add an emoji, 2015
Jacolby Satterwhite
Shrines, 2020
Julius Shulman
Manuel Graf
Shulmantonioni, 2004
Timur Si-Qin
Hannah Perry
sick off smoke, 2015
Katharina Sieverding
Clemens von Wedemeyer
Silberhöhe + Die Siedlung, 2003/04
Silberhöhe, 2003
Die Siedlung, 2004
Taryn Simon
Ed Ruscha
Sin-Without, 2002
Ed Fornieles
Sitting, 2015
Tony Oursler
Sixth (Dusseldorf Variation), 2005-2007
Ed Fornieles
Sleeping, 2015
Klara Lidén
Small jug lamp, 2019
Jack Smith
Cauleen Smith
Robert Smithson
Hannah Perry
smoke, 2015
Michael Snow
Terence Koh
Snow White, 2008
Jesper Just
Something to Love, 2005
Tracey Emin
Sometimes the dress is worth more money than the money, 2001
Florian Meisenberg
somewhere_sideways, 2015
Tony Oursler
Son of Oil, 1982
Till Gerhard
Sondervorstellung, 2006
Nandipha Mntambo
Sondzela, 2008
Jack Smith
Song for Rent, 1969
Joan Jonas
Songdelay, 1973
Lutz Mommartz
Soziale Plastik, 1969
Robert Smithson
Spiral Jetty, 1970
Carsten Nicolai
Spray, 2004
Terence Koh
Sprungkopf, 2006
P. Staff
Bruce Nauman
Stamping in the Studio, 1968
Jordan Wolfson
Star Field (month 25), 2004
Frances Stark
Stephen Vitiello
Stars In My Pockets Like Grains Of Sand, 2015
Tony Oursler
Station Block (time shift edit), 1994-2007
Douglas Gordon
Staying home (18.14) and going out (21.14), 2005
Douglas Gordon
Staying home (18.16) and going out (21.16), 2005
Christoph Steinmeyer
Olivia Walsh
(Still) Doubt II, 2016
Matt Calderwood
Strips (vertical), 2005
Sturtevant
Thiago Rocha Pitta
Sublimation, condensation, zenith and precipitation, 2005
Mathilde ter Heijne
Suicide Bomb, 2000
Carol Bove
Summer Solstice, Düsseldorf, 2031, 2006
Nancy Holt
Sun Tunnels, 1978
Elizabeth Price
Sunlight, 2013
David Blandy
Sunset, 2015
Andreas Gursky
Supernova, 1999
Leo Gabin
Surfer Ho Remix, 2015
Laure Prouvost
Swallow, 2013
Nancy Holt & Robert Smithson
Swamp, 1971
Ed Fornieles
Swimming, 2015
Barbara Hammer
Synch Touch, 1981
T
Young-jun Tak
Christiane Fochtmann
Talkshow, 2006
Andreas Korte
Tanzfilm, 2011
Matt Calderwood
Tape, 2005
VALIE EXPORT
Tapp- und Tastkino (Touch Cinema), 1968
Dara Birnbaum
Technology/Transformation: Wonder Woman, 1978/79
Alex McQuilkin
Teenage Daydream: In Vain, 2002-2003
Alex McQuilkin
Teenage Daydream: It’s only Rock & Roll, 2002
Carsten Nicolai
telefunken anti, 2004
Christian Marclay
Telephones, 1995
Aaron Young
Tender Buttons with Mirrors, 2004
Takeshi Murata
Tennis, 2015
Ed Atkins
The Anthrophagus!, 2010
Laure Prouvost
The Artist, 2010
Stephen Vitiello
The Bone Clocks, 2015
Terence Koh
The Camel was God, the Camel Was Shot, 2007
Melanie Gilligan
The Common Sense, 2014/15
Leo Gabin
The Concept, 2015
Jen DeNike
The Deadman’s Float, 2005
Reynold Reynolds & Patrick Jolley
The Drowning Room, 2000
Lynn Hershman Leeson
THE ELECTRONIC DIARIES OF LYNN HERSHMAN LEESON 1984–2019, 1984–2019
Ant Farm & T.R. Uthco
The Eternal Frame, 1975
Nathalie Djurberg & Hans Berg
The Experiment, 2009
Cave, 2009
Forest, 2009
Greed, 2009
Anicka Yi
The Flavor Genome, 2016
Leo Gabin
The Heart Wants, 2015
Marina Abramović
The Hero, 2000
Marina Abramović
The Hero, 2001
Chloe Wise
the hotel gave us wine, 2015
Frances Stark
The Inchoate Incarnate: After a Drawing, Toward an Opera, but Before a Libretto Even Exists, 2009
Basel Abbas & Ruanne Abou-Rahme
The Incidental Insurgents: The Part About the Bandits (Chapter 2), 2012/13
Eleanor Antin
The King, 1972
Cyprien Gaillard
The Lake Arches, 2007
Juan Downey
The Laughing Alligator, 1979
Jesper Just
The Lonely Villa, 2004
Cory Arcangel
The Making of Super Mario Clouds, 2004
Amir Yatziv
The National Park, 2015
Douglas Gordon
The nature of relationships between few words, 2006
Marina Abramović
The Onion, 1996
Jen DeNike
The Pimp, 2015
Vito Acconci
The Red Tapes, 1977
Tape 1: Common Knowledge, 1977
Tape 2: Local Color, 1977
Tape 3: Time Lag, 1977
Bill Viola
The Reflecting Pool – Collected Work 1977–80, 1977–80
The Reflecting Pool, 1977–79
Moonblood, 1977–79
Silent Life, 1979
Ancient of Days, 1979–81
Vegetable Memory, 1978–80
Asier Mendizabal
The Staff That Matters (30,000), 2009
Asier Mendizabal
The Staff That Matters (SI), 2009
Tobias Zielony
The Street (C.P.A.), 2013
Chris Burden
The T.V. Commercials, 1973-1977
Stephen Vitiello
The Waves, 2015
Tony Oursler
The Weak Bullet, 1980
Elizabeth Price
The Woolworths Choir of 1979, 2012
Hannah Perry
The worse you feel the better I look, 2015
Stephen Vitiello
The Wrath of Angels, 2015
Florian Meisenberg
the_anciety_of_influence, 2015
Florian Meisenberg
the_tacit_one, 2015
Vito Acconci
Theme Song, 1973
Laure Prouvost
They Parlaient Idéale, 2019
Britta Thie
Roman Lipski
This Permanent Other Landscape, 2023
Gwenn Thomas
Britta Thie
„Three Infomercials“, 2016
Vito Acconci
Three Relationship Studies, 1970
Shadow-Play, 1970
Imitations, 1970
Manipulations, 1970
Peter Campus
Three Transitions, 1973
Wolfgang Tillmans
Hannah Perry
To say you feel something, 2015
Hannah Perry
too loud and too wavy, 2015
Philip Topolovac
Sarah Kürten
TOSS ME MY LIGHTER, COULD YOU BABE?, 2020
Florian Meisenberg
towards_a_new_architecture, 2015
Jon Rafman
Transdimensional Serpent, 2016
Ryan Trecartin
Ryan Trecartin
Trill-ogy Comp, 2009
P.opular S.ky (section ish), 2009
K-CoreaINC.K (section a), 2009
Sibling Topics (section a), 2009
Rosemarie Trockel
Mika Rottenberg
Tropical Breeze, 2004
Manuel Acevedo
Tropisms – WTC (World Trade Center) Site, 2007
Kon Trubkovich
Isaac Julien
True North, 2004
Wu Tsang
Tony Oursler
Tunic (Song for Karen), 1990
Adrian Paci
Turn on, 2004
Gwenn Thomas
Twilight, 1975
Dan Graham
Two-way Mirror Power, 2006
Manuel Graf
Über die aus der Zukunft fließende Zeit, 2006
Asier Mendizabal
Überbau (Superstructure), 2005
U
Ulay
Ulay & Marina Abramović
Amalia Ulman
John Bock
Unheil, 2018
Jo Baer
Untitled, 1966-1974
Keren Cytter
Untitled, 2009
Trisha Donnelly
Untitled, 2005
Trisha Donnelly
Untitled, 2008
Trisha Donnelly
Untitled, 2010
Trisha Donnelly
Untitled, 2012
Trisha Donnelly
Untitled, 2011
Trisha Donnelly
Untitled, 2013
Marcel Dzama
Untitled, 2008
Marcel Dzama
Untitled, 2008
Marcel Dzama
Untitled, 2008
Isa Genzken
Untitled, 2017
Anne Imhof
Untitled, 2017
Anne Imhof
Untitled, 2017
Anne Imhof
Untitled, 2017
Anne Imhof
Untitled, 2017
Kurt Lightner
Untitled, 2004
Frances Stark
Untitled, 2012
Nadim Vardag
Untitled, 2011
Marcel Dzama
Untitled, 2008
Ed Atkins
Untitled (1), 2013
Ed Atkins
Untitled (2), 2013
Ed Atkins
Untitled (3), 2013
Ed Atkins
Untitled (4), 2013
Ed Atkins
Untitled (5), 2013
Ed Atkins
Untitled (7), 2013
Ed Atkins
Untitled (8), 2013
Ed Atkins
Untitled (9), 2013
Adam McEwen
Untitled (A-Line), 2002
Paul Chan
Untitled (After St. Caravaggio), 2003–2006
Klara Lidén
Untitled (Column Monkey), 2010
Klara Lidén
Untitled (Down), 2011
Patty Chang
Untitled (For Abramović, Love Cocteau), 2000
Trisha Donnelly
Untitled (mountain), 2008
Jules de Balincourt
Untitled (Pastoral Scene), 2006
Klara Lidén
Untitled (Trashcan), 2011
Klara Lidén
Untitled (Under Mattan), 2006–2010
Jeff Burton
Untitled #151 (Picket Fence), 2001
Jeff Burton
Untitled #176 (Rods and Clamps), 2003
Jeff Burton
Untitled #182 (Spa Rules), 2003
Trisha Donnelly
Untitled I (Double Alpha), 2007
Andreas Gursky
Untitled XII, No.4, 2000
Carolee Schneemann
Up to and including her Limits, 1976
Ed Atkins
Us Dead Talk Love, 2012
Hannah Perry
Useless, 2015
Kurt Lightner
Useless Fruit, 2006
V
Charles Richardson
Vanish, 2015
Nadim Vardag
Steina Vasulka
Bruce & Norman Yonemoto
Vault, 1984
Joan Jonas
Vertical Roll, 1972
Nam June Paik
Video-Film Concert, 1966-1972/1992
Colin Montgomery
View, 101 Constitution Avenue (U.S. Capitol), 2006
Bill Viola
Bruce Nauman
Violin Film #1 (Playing The Violin As Fast As I Can), 1967–1968
Steina Vasulka
Violin Power, 1970-76
Timur Si-Qin
Visit Mirrorscape 2016: Arrive, 2016
Timur Si-Qin
Visit Mirrorscape 2016: Here, 2016
Timur Si-Qin
Visit Mirrorscape 2016: Now, 2016
Stephen Vitiello
Anthony Burdin
Voodoo Vocals, Agent of Fortune Cassette Tour 1999 – Don’t Fear the Reaper, New York, 11 / 22 / 02, 2002
Anthony Burdin
Voodoo Vocals, Drive Hwy 101 N (1. You only live twice, 2. It was a very good year), 2005
Jan Paul Evers
Vorhang, 2010
W
Hannah Perry
Waiting here, 2015
Bruce Nauman
Walking in an Exaggerated Manner Around the Perimeter of a Square, 1967–1968
Monica Bonvicini
Wallf*ckin’, 1995
Olivia Walsh
Encyclopedia Pictura & Björk
Wanderlust, 2008
Thomas Bernstein
Wandler, 2007
WangShui
Adam Putnam
Wardrobe, 1997
Ed Atkins
Warm, Warm, Warm Spring Mouths, 2013
Nathalie Djurberg & Hans Berg
We are not two, We are one, 2008
Chloe Wise
we had a traumatic threeway, 2015
Chloe Wise
we’ve been drinking since noon, 2015
WangShui
Weak Pearl, 2019
Guan Xiao
Weather Forecast, 2016
Clemens von Wedemeyer
Clemens von Wedemeyer & Maya Schweizer
P. Staff
Weed Killer, 2017
Lutz Mommartz
Weg zum Nachbarn, 1968
William Wegman
Moritz Wegwerth
Peter Weibel
Lawrence Weiner
Andro Wekua
Franz West
Christoph Westermeier
Hannah Perry
What are you thinking about, 2015
Alex Morrison
What Does it Mean to Inhabit a Ruin?, 2013
Andrea Büttner
What is so terrible about craft? / Die Produkte der menschlichen Hand, 2019
Christian Jankowski
What Remains, 2004
Olafur Eliasson
When Love is not enough Wall (Fragment), 2007
James Richards & Steve Reinke
When We Were Monsters, 2020
Aaron Young
White Cons, 2003
Amalia Ulman
White Flag Emoji 1, 2015
Amalia Ulman
White Flag Emoji 2, 2015
Amalia Ulman
White Flag Emoji 3, 2015
Amalia Ulman
White Flag Emoji 4, 2015
Amalia Ulman
White Flag Emoji 5, 2015
Amalia Ulman
White Flag Emoji 6, 2015
Zilvinas Kempinas
White Noise, 2007
Cao Fei
Whose Utopia, 2006
My future is not a Dream, 2006
What are you doing here?, 2006
Wu Tsang
Wildness, 2012
Hannah Wilke
Kandis Williams
Peter Weibel
Wind & fast forward, Realitätsspaltung, 1990
Chloe Wise
Young-jun Tak
Wish You a Lovely Sunday, 2021
Takeshi Murata
Witch Rises, 2015
David Wojnarowicz
Maria Anna Dewes
Wolf, 2008
Jordan Wolfson
Jen DeNike
Wrestling, 2002
Leo Gabin
Write your name, 2015
X
Barbara Hammer
X, 1975
Robert Boyd
Xanadu, 2006
Patriot Act, 2004
Heaven’s little Helper, 2005
Judgement Day, 2006
Exit Strategy, 2005
Guan Xiao
Y
Amir Yatziv
Anicka Yi
Bruce & Norman Yonemoto
Pipilotti Rist
You Called Me Jacky, 1990
Tracey Emin
You Must Have Hope, 2016
Aaron Young
Z
Thomas Demand
Zaun (Fence), 2004
John Bock
Zezziminnegesang, 2006
Tobias Zielony
Otto Mueller
Zwei Mädchen – Halbakte (Russisches Mädchenpaar), 1920
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Watch more than 220 time-based media artworks by over 60 artists from the JULIA STOSCHEK COLLECTION online at JSC Collection Catalogue
ONLINE COLLECTION CATALOG
The online collection catalog offers the opportunity to research and view over 900 works by 300 artists from the JULIA STOSCHEK COLLECTION.
Over the next months, videos and films will be continually uploaded and made accessible online. They are accompanied by explanatory texts about the works. Or you can drop by our JSC Video Lounge directly.
A list of all accessible works can be found by clicking on „viewable online“ „under Tags“ and then selecting „Works“.
To date over220film-, video- and sound-based works by62artists from the collection can be viewed in their entirety.Among the works in this first selection are pieces by John Bock, Monica Bonvicini, Klaus vom Bruch, Ian Cheng, Keren Cytter, Jen DeNike, Nathalie Djurberg & Hans Berg, Tracey Emin, Cao Fei, Fischli & Weiss, Dara Friedman, Kate Gilmore, Douglas Gordon, Christian Jankowski, Imi Knoebel, Klara Lidén, Lutz Mommartz, Elizabeth Price, Pipilotti Rist, Wolfgang Tillmans, Ryan Trecartin, Andro Wekua, and Tobias Zielony.
JSC’s long-term goal is to make the entire collection available online, thus creating a platform for time-based art that supports the accessibility and engagement of time-based art.
ABOUT THE COLLECTION
“Many of the works in this collection construct multi-temporal worlds; they harbor not one flow of events, but a labyrinth of diverging paths, each with its own pace and temporality. The collection is thus a complex archive of temporalities, storing passed moments and layers of time that can be technically repeated, in principle an infinite number of times.”
Daniel Birnbaum
from: Daniel Birnbaum, Repetitions, in Number One: Destroy, She Said (Ostfildern: Hatje Cantz Verlag, 2007), 12.
Established in 2007 by Julia Stoschek, the JULIA STOSCHEK COLLECTION has grown to be an expansive collection of time-based art spanning film, video, sound, performance, and computer and software-based works. At present, over 860 artworks by more than 282 contemporary artists across genres and generations offer an overview of time-based art from the 1960s to today with a strong focus on works made after 2000.
The term time-based art (or time-based media) describes works of art that unfold in time. Time-based art therefore encompasses all artworks in which duration is a dimension and comprises film, video, single- and multi-channel video installation, slide installations, multimedia environments, sound, performance, computer and software-based artworks such as virtual and augmented reality, and other forms of technology-based art. These works are often allographic, meaning they are only visible when installed or projected.
At the JULIA STOSCHEK COLLECTION, early expanded cinema, video, and performance works by Bruce Nauman, Anthony McCall, Joan Jonas, or Marina Abramović meet Doug Aitken’s video installations, Ian Cheng’s live simulations, and Mika Rottenberg’s all-encompassing environments. The collection contains many artworks by pioneering female and feminist artists and experimental filmmakers from the 1960s and ’70s, among them Dara Birnbaum, VALIE EXPORT, Barbara Hammer, and Hannah Wilke. A younger generation of artists includes Ed Atkins, Loretta Fahrenholz, Cyprien Gaillard, Josh Kline, Jon Rafman, Rachel Rose, Mika Rottenberg, Anicka Yi, and Tobias Zielony, to name a few. The collection strives to build sustainable relationships with artists and galleries, focusing on key works and groups of works made throughout artists’ careers, growing with and reflecting their evolving practice.
The collection is characterized by an ever-growing technological convergence and interdisciplinary approach: “The video art of today is theater, performance, musical performance, sculpture, projection, moving image, moving bodies, dance, stage, screen, real space, real time, all in one,” writes Peter Weibel in the catalog accompanying the exhibition “High Performance,” jointly organized by JULIA STOSCHEK COLLECTION and ZKM | Center for Art and Media in 2015. Bringing these fields together, the collection is unique in its heterogeneity, but certain themes still manifest across the collection, in works that address sociopolitical questions; identity politics; forms of narrative, fiction, and documentary; the body and representation; performativity and performance; the gaze; and the relationship between our built environment and the natural world.
Some of these themes have been explored in exhibitions and programs at the JULIA STOSCHEK COLLECTION in Düsseldorf and Berlin, as well as at several international institutions. 27 large-scale exhibitions have taken place at the collection’s exhibitions spaces in Düsseldorf and Berlin since 2007. Among these were significant solo exhibitions by Derek Jarman, Sturtevant, Elizabeth Price, Ed Atkins, Frances Stark, Trisha Donnelly, Cyprien Gaillard, Arthur Jafa, and Ian Cheng.
The first large-scale group exhibition at the collection, Number One: Destroy, She Said (2007–08), was named after a video installation by artist Monica Bonvicini and loosely explored the relationship between interior and exterior, construction and destruction. Number Two: Fragile (2008–09) focused on the body and corporality, bringing together video, performance, and body art. Number Three: Here and Now (2009–10) was dedicated solely to performance and the ephemeral, with performances and concerts by some of the most prominent contemporary artists working today scheduled all year long. Almost ten years later, Number Thirteen: Hello Boys (2015–16) revisited performance and feminist video, questioning the representation of female identity and the performance document. To celebrate its tenth anniversary, the JULIA STOSCHEK COLLECTION invited artist Ed Atkins to curate a group exhibition in Düsseldorf, which he called Generation Loss (2017). The title refers to the process of quality deterioration as data carriers are copied successively and, at the same time, to the social upheavals from one generation to the next.
The inaugural exhibition in Berlin, Welt am Draht (2016), addressed the influences and shifts in our social reality, identities, and environment effected by processes of digitalization. Another group show, Jaguars and Electric Eels (2017), explored notions of indigeneity, of hybrids and synthetic forms of life, the migration of the species, and our constantly changing perceptions of reality. Large-scale solo presentations supplement the collection exhibition program. In 2018, the JULIA STOSCHEK COLLECTION, Berlin, presented a comprehensive exhibition by Arthur Jafa, his first in Germany. In addition to exhibitions, smaller projects, talks, and ongoing screenings regularly accompany the program. There are two cinemas in Düsseldorf equipped to screen 16mm and 35mm films in their original format.
LOAN REQUESTS
Loan requests for works of the JULIA STOSCHEK COLLECTION should be sent by e-mail to Anna-Alexandra Pfau, Head of JSC Düsseldorf & Sammlung, [emailprotected]
The loan request will be processed if the following conditions are met:
Loan requests must be made at least 6 months before the desired start of the loan period. The request must contain the following information and documents:
Name and address of the institution submitting the loan request; name, function, telephone number, postal address and e-mail address of the contact person; exact name of the requested work; period, name of the exhibiting institution and location of the exhibition; detailed exhibition or project description in which the work is to be presented; a current facility report of the institution.
Please note that works that have a reference to Electronic Arts Intermix in the Courtesy line may not be lend through the JULIA STOSCHEK COLLECTION. Please contact Electronic Arts Intermix, New York directly.
RESTORATION & PRESERVATION
Long-Term Archiving
The conservation requirements for time-based media (TBM) have changed drastically over the last ten years. Initially the medium—specifically videotapes and DVDs—was the main focus of conservational attention. Just like any other materials, media are also susceptible to aging processes that in the long run can lead to damage or even the loss of works.
Yet aging is only one aspect of the problem. There are also file formats and complex technical installations that are based on computer technologies or other hardware. All of these components can age: not only the media themselves are affected by the processes of decay, but even the content can become unreadable over of the years due to incompatibilities. Technological evolution constantly results in new file formats and software codecs that are adapted in the production process of video artists. This is why in addition to the material-related risks, careful observation is necessary to ascertain which technologies have a promising future—and which digital platforms and formats are on their way to becoming obsolete. To this end all new acquisitions must be thoroughly evaluated and documented to determine the exact type of digital format. The files are then transferred to a digital repository.
To meet all of the different requirements, a multistage strategy for long-term archiving was developed for the JULIA STOSCHEK COLLECTION, based on the “three-pillar approach.” The goal is to consolidate the heterogenous collection on a digital level in just a few established and hom*ogeneous target formats. This noticeably reduces the conservation effort since only a manageable number of formats need to be regularly checked and monitored to safeguard against formats that are becoming obsolete. This is flanked by individual solutions for artworks that do not support a standardized procedure. On a digital level, multiple backups that are independent and redundant give additional security, thus ensuring that the collection is preserved.
Media-Art Repository
The media art-depository is the heart of the collection. Since fluctuating temperatures and humidity factors cause damage to videotapes and film, this was one of the most important factors during the planning. Temperatures of around 15 degrees Celsius (59 degrees Fahrenheit) and 35 percent relative humidity (RF) are considered optimal for storing magnetic tapes and was therefore chosen for the repository. These conditions are also appropriate for film and slides.
The media art depot, designed and individually planned for the JULIA STOSCHEK COLLECTION, has two airlocks: one prevents abrupt changes in climate when people enter, while the second airlock is conceived for tapes and media that are stored in the media depository. They can acclimatize slowly in the airlock before they are moved to special mobile shelving for storage. The mobile shelving system, which is equipped with ball-bearing mountings, ensures that the space is used optimally. The floor has a stove-enamel finish and was checked for leftover magnetic charge to eliminate all risks for the stored videotapes. In addition, the shelves are grounded to prevent any static electricity.
Since dust and air pollution represent a serious danger for media artworks, the air is filtered multiple times before and after the conditioning process. Smoke and water detectors as well as an alarm system simultaneously offer comprehensive hazard protection.
The elaborate technical amenities in combination with the custom mobile shelving make the media-art repository unique in Europe.
Time-based media conservator